{"title":"干预:街头艺术,信仰和文化参与","authors":"M. Ali","doi":"10.1332/policypress/9781447344995.003.0015","DOIUrl":null,"url":null,"abstract":"This chapter presents the personal reflections of painter Mohammed Ali on his experience as a creative producer and in his intermediary role as the founder of Soul City Arts, a cultural organisation located in the Sparkbrook area of Birmingham that serves the locality and city while working with an international scope.","PeriodicalId":182739,"journal":{"name":"Cultural intermediaries connecting communities","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intervention: street art, faith and cultural engagement\",\"authors\":\"M. Ali\",\"doi\":\"10.1332/policypress/9781447344995.003.0015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter presents the personal reflections of painter Mohammed Ali on his experience as a creative producer and in his intermediary role as the founder of Soul City Arts, a cultural organisation located in the Sparkbrook area of Birmingham that serves the locality and city while working with an international scope.\",\"PeriodicalId\":182739,\"journal\":{\"name\":\"Cultural intermediaries connecting communities\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural intermediaries connecting communities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1332/policypress/9781447344995.003.0015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural intermediaries connecting communities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1332/policypress/9781447344995.003.0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Intervention: street art, faith and cultural engagement
This chapter presents the personal reflections of painter Mohammed Ali on his experience as a creative producer and in his intermediary role as the founder of Soul City Arts, a cultural organisation located in the Sparkbrook area of Birmingham that serves the locality and city while working with an international scope.