第七章散文诗阅读中的意象与记忆

P. Hetherington, C. Atherton
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摘要

这一章描述了视觉意象在散文诗中的运用。它考察了这些意象是如何与记忆的唤起联系起来的,以及一些散文诗的影响与那些由照片和对一系列艺术形式的口头反应所产生的影响之间的持续联系。重要的是,散文诗和摄影之间的联系也是历史性的。在查尔斯·波德莱尔的散文诗中,怀旧、现代和碎片的结合与那段时期许多照片中明显的品质并无不同。自波德莱尔和亚瑟·兰波以来,许多散文诗都依赖于引人注目的视觉意象,使读者能够“看到”他们所唤起的东西——这一点在21世纪依然如此。事实上,一些当代散文诗人在描述他们的创作实践时,或者在他们的作品中引用照片时,将摄影和散文诗联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CHAPTER 7 The Image and Memory in Reading Prose Poetry
This chapter describes the use of visual imagery in prose poetry. It examines how such imagery relates to evocations of memory, and the continuing connection of some of prose poetry's effects to those generated by photographs and ekphrastic responses to a range of art forms. Importantly, the connection between prose poetry and photography is also historical. The combination of nostalgia, modernity, and fragmentation found in Charles Baudelaire's prose poems is not unlike the qualities evident in many photographs from the period. Ever since Baudelaire and Arthur Rimbaud, many prose poems have been dependent on striking visual imagery, enabling readers to “see” what they are invoking — and this remains true into the twenty-first century. Indeed, some contemporary prose poets connect photography and prose poetry in descriptions of their creative practice, or in references to photographs in their works.
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