共同事业的个人责任?两次世界大战之间俄罗斯的日常保护主义Émigré新闻杂志ilyustrirovannaya Rossiya

Phaedra Claeys
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摘要

这篇文章探讨俄罗斯流行的新闻杂志《俄罗斯画报》(Illyustrirovannaya Rossiya)对所谓的保存主义的态度,简单地说,就是在流亡中保留革命前的俄罗斯文化的倾向。更具体地说,本文研究了两次世界大战之间俄罗斯侨民日常生活中的保护主义。由于它的长期运行,广泛的范围和大量的读者,该杂志是一个独特的和宝贵的文件,提供了重要的洞察俄罗斯的社会和文化生活。为了了解Illyustrirovannaya Rossiya的保护主义,将对该期刊进行仔细阅读,主要围绕以下问题进行:该杂志是否涵盖了革命前俄罗斯文化的任何方面,如果有,是哪些方面,以及如何?本文聚焦于《俄罗斯日报》编辑内容的三个关键要素,论证了该期刊所呈现的流行文化和日常文化中的保护主义与高雅文化中的保护主义(例如高雅文学和视觉艺术)明显不同。Illyustrirovannaya Rossiya的方法中突出的一点是,革命前的俄罗斯生活和文化很少被报道,更重要的是,从来没有真正被赞美过。相反,对俄罗斯移民群体本身的报道构成了该杂志内容的核心部分。谈到保护俄罗斯文化和身份,Illyustrirovannaya Rossiya呼吁在保护本国文化和适应东道国文化之间找到一个中间地带。在这样做的过程中,该杂志经常强调读者的个人责任,寻求与他们的俄罗斯身份的联系,而不是依赖于主要的移民者的人物和机构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Individual Responsibility for the Common Cause? Everyday Preservationism in the Interwar Russian Émigré Newsmagazine Illyustrirovannaya Rossiya
This article considers the approach of the popular Russian émigré newsmagazine Illyustrirovannaya Rossiya [Illustrated Russia] to so-called preservationism — simply put, the tendency to preserve prerevolutionary Russian culture in exile. More specifically, this article studies preservationism in the everyday life of the Russian interwar diaspora. Due to its long run, broad scope, and large readership, the magazine is a unique and invaluable document, offering significant insight into the social and cultural life of Russian émigrés. In order to gain an understanding of preservationism in Illyustrirovannaya Rossiya, a close reading of the periodical will be conducted, centred around questions such as whether the magazine covered any aspects of prerevolutionary Russian culture at all, and, if so, which and how? Focusing on three key elements of Illyustrirovannaya Rossiya’s editorial content, this article demonstrates that preservationism in popular and everyday culture as presented in this periodical differs markedly from its high-culture counterpart (such as highbrow literature and visual arts, for example). What stands out in Illyustrirovannaya Rossiya’s approach is that prerevolutionary Russian life and culture are rarely covered and, more importantly, never truly glorified. Instead, coverage of the Russian émigré community itself makes up a central part of the magazine’s content. When it comes to preserving Russian culture and identity, Illyustrirovannaya Rossiya pleads for finding a middle ground between preserving the home culture and adapting to the host culture. In doing so, the magazine frequently stresses readers’ individual responsibility to seek connection with their Russian identity instead of relying on leading émigré figures and institutions.
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