{"title":"“哦,这是斯特雷奇的表演”:兰德尔·斯特雷奇和18世纪爱尔兰的木偶剧","authors":"Martin G. Molony","doi":"10.3828/eci.2022.6","DOIUrl":null,"url":null,"abstract":"\nThis article outlines the popularity - and financial success - of an eighteenth-century Dublin puppet theatre that threatened mainstream theatres of the time. Randall Stretch’s puppet theatre, in Dublin’s Capel Street, became the centrepiece for satirical and political commentary of the day. Stretch’s theatre caught the attention of Dean Swift and his circle and is commemorated in satirical verse of the period. For decades, Dubliners used the phrase ‘This is more of Stretch’s Show’ to refer to anything outlandish or incredible. The article underlines the power of the puppet theatre as a satirical device and the extent to which it can rival mainstream theatre.","PeriodicalId":217296,"journal":{"name":"Eighteenth-Century Ireland: Volume 37, Issue 1","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"‘Oh, This Is More of Stretch’s Show’: Randal Stretch and Puppet Theatre in Eighteenth-Century Ireland\",\"authors\":\"Martin G. Molony\",\"doi\":\"10.3828/eci.2022.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article outlines the popularity - and financial success - of an eighteenth-century Dublin puppet theatre that threatened mainstream theatres of the time. Randall Stretch’s puppet theatre, in Dublin’s Capel Street, became the centrepiece for satirical and political commentary of the day. Stretch’s theatre caught the attention of Dean Swift and his circle and is commemorated in satirical verse of the period. For decades, Dubliners used the phrase ‘This is more of Stretch’s Show’ to refer to anything outlandish or incredible. The article underlines the power of the puppet theatre as a satirical device and the extent to which it can rival mainstream theatre.\",\"PeriodicalId\":217296,\"journal\":{\"name\":\"Eighteenth-Century Ireland: Volume 37, Issue 1\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eighteenth-Century Ireland: Volume 37, Issue 1\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/eci.2022.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eighteenth-Century Ireland: Volume 37, Issue 1","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/eci.2022.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
这篇文章概述了18世纪都柏林木偶剧院的受欢迎程度和经济上的成功,它威胁了当时的主流剧院。兰德尔·斯特雷奇(Randall Stretch)在都柏林卡佩尔街(Capel Street)开设的木偶剧院,成为当时讽刺和政治评论的中心。斯特雷奇的戏剧引起了迪恩·斯威夫特和他的圈子的注意,并在那个时期的讽刺诗中得到纪念。几十年来,都柏林人用“This is more of Stretch’s Show”来形容任何古怪或不可思议的东西。这篇文章强调了木偶剧作为一种讽刺手段的力量,以及它可以与主流戏剧相抗衡的程度。
‘Oh, This Is More of Stretch’s Show’: Randal Stretch and Puppet Theatre in Eighteenth-Century Ireland
This article outlines the popularity - and financial success - of an eighteenth-century Dublin puppet theatre that threatened mainstream theatres of the time. Randall Stretch’s puppet theatre, in Dublin’s Capel Street, became the centrepiece for satirical and political commentary of the day. Stretch’s theatre caught the attention of Dean Swift and his circle and is commemorated in satirical verse of the period. For decades, Dubliners used the phrase ‘This is more of Stretch’s Show’ to refer to anything outlandish or incredible. The article underlines the power of the puppet theatre as a satirical device and the extent to which it can rival mainstream theatre.