一座英国女王的纪念碑。伦敦威斯敏斯特教堂的菲利帕·海诺墓(1369年左右)的家谱计划

Sanne Frequin
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引用次数: 0

摘要

海诺女王菲利帕的坟墓(约1369年)展示了一个由32个哭泣者雕像组成的家谱计划,这些雕像被放置在坟墓周围。它们代表已故女王的家庭成员(包括她自己的家人和她的姻亲),可以通过放置它们的基座下面的徽章来识别。基座上的原始纹章已经丢失,但较旧的图纸和描述允许重建菲利帕哭泣者的身份。到目前为止,这个家谱节目一直被解释为菲利帕的丈夫爱德华三世在百年战争中的政治宣传,以及他据称(以他妻子的名义)对海诺、荷兰和泽兰的主张。菲利帕自己对陵墓的赞助,家谱计划中的代表人物和威斯敏斯特教堂陵墓的位置表明,然而,另一种解读。通过她的坟墓,女王塑造了她自己的多面记忆,一个王后的配偶,一个王朝连续性的守护者,一个显赫的海诺(Hainault)家族后裔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A monument for an English Queen. The genealogical programme on the tomb of Philippa of Hainault (d. 1369) at Westminster Abbey, London
The tomb of Queen Philippa of Hainault (d. 1369) presents a genealogical programme consisting of thirty-two statues of weepers (pleurants), placed around the tomb. They represent family members of the deceased queen (both her own family and her family-in-law) and could be identified by the coats of arms below the pedestals on which they were placed. The original heraldry on the pedestals has been lost, but older drawings and descriptions allow a reconstruction of the identity of Philippa’s weepers. This genealogical programme has hitherto been interpreted as political propaganda for Philippa’s husband Edward III in the Hundred Years’ War and for his alleged claim (in his wife’s name) to the counties Hainault, Holland and Zeeland. Philippa’s own patronage of the tomb, the represented persons in the genealogical programme and the location of the tomb in Westminster Abbey suggest, however, an alternative reading. With her tomb, the queen shaped her own multifaceted memory, that of a queen consort, a guardian of dynastic continuity and of a descendant of the illustrious Hainault comital family.
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