后记

Kevin Mungons, Douglas Yeo
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引用次数: 0

摘要

在看荷马罗德海弗的生活,工作和遗产,作者提供了新的背景下,他对福音音乐的贡献。他借鉴了福音赞美诗、非裔美国人的灵歌和流行音乐,在芝加哥建立了一个出版帝国,向大众出售赞美诗,作为鼓励社区歌唱的一种方式。在神龛复兴运动衰落后,他成功地将自己的思想转移到唱片、广播和电影中。虽然其他福音音乐家在其中一两个领域取得了成功,但罗德海弗把他们都撮合起来,创造了现代基督教音乐产业。尽管他所倡导的许多音乐已经逐渐淡出人们的视野,但他的开创性影响今天仍然存在。罗德海弗认为福音音乐是精神转变的催化剂,这种信仰继续塑造着当代福音派教会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Epilogue
In looking at Homer Rodeheaver’s life, work, and legacy, the authors offer new context for his contributions to gospel music. He borrowed from evangelical hymns, African American spirituals, and popular music to build a publishing empire in Chicago, selling hymnals the masses as a way to encourage community singing. After the decline of tabernacle revivalism, he successfully transferred his ideas to recorded music, radio, and film. While other gospel musicians had success in one or two of these areas, Rodeheaver brokered all of them to create the modern Christian music industry. His seminal influence is still felt today, even as much of the music he championed has faded into obscurity. Rodeheaver viewed gospel music as a catalyst for spiritual transformation—a belief that continues to shape the contemporary evangelical church.
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