俾斯麦是一个画展还是一种可能性的艺术?

M. Otto
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摘要

奥托·冯·俾斯麦(Otto von Bismarck)根本不是一位自由派政治家,但他有很多自由派崇拜者。像古斯塔夫·施特雷泽曼或奥托·格拉夫·兰姆斯多夫这样的德国自由派政治家,甚至像威利·勃兰特这样的社会民主党人,都至少部分地表现出对俾斯麦及其政治的仰慕。乍一看,这是令人惊讶的,因为俾斯麦有着强大的保守根源,从未假装是自由主义者。另一方面,他的一些政治影响被德国自由主义者深深接受,甚至渴望:建立一个强大的德国民族国家,反对弱小的公国或天主教会的政治斗争。俾斯麦与其说是一个理论家,倒不如说是一个实用主义者(有时是机会主义者),他将政治定义为“Kunst des Möglichen”(“可能的艺术的艺术,可实现的艺术-次优的艺术”)。由于他缺乏意识形态,对于许多自由主义的标杆来说,保守的俾斯麦可以使自由主义政治取得成功,但也可以使它的对立面,例如。在社会政治中。由于他的务实态度和灵活性,俾斯麦成为许多自由派政治家的投影屏幕。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bismarck als Projektionsfläche oder Verfassung als Kunst des Möglichen?
Otto von Bismarck was not a liberal politician at all but had a lot of liberal admirers. German liberal politicians like Gustav Stresemann or Otto Graf Lambsdorff and even Social Democrats like Willy Brandt presented themselves as at least partial admirers of Bismarck and his politics. It is surprising at first sight, because Bismarck had strong conservative roots and never pretended to be liberal. On the other hand, some effects of his politics were deeply accepted and even desired by German liberals: the creation of a strong German national state, political fight against small blimpish duchies or catholic church. Bismarck was rather a pragmatic (and sometimes opportunist) than a theorist, defining politics as „Kunst des Möglichen“ (‚art of art of the possible, the attainable – the art of the next best‘). Due to his lack of ideology, for many a benchmark of Liberalism, conservative Bismarck could make successful liberal politics, but also its opposite, e. g., in social politics. By his pragmatic approach and his flexibility, Bismarck became a projection screen for many liberal politicians.
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