以被遗忘的巴龙叮铃和乐宫图腾作为绿色立面的灵感来源

I. P. U. Wasista, Ni Luh Kadek Resi
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引用次数: 1

摘要

目的:这项研究和创作的目的是回答保留巴厘岛传统的问题,如巴龙kedingkling, legong tombol dance, taru pramana,大流行期间对绿色空间的需求,以及2005年巴厘岛省第5号法规的实施,以具有巴厘特色的绿色立面模块的形式。研究方法:使用的方法基于设计思维方法,分为三个阶段,即灵感,构思和实施。发现:绿色立面采用巴龙kedingklingmodule和乐宫符号舞蹈的形式,具有巴厘特色。使用的植物来自taru pramana。这一策略有望以一种新的、更现代的方式满足保护、文化教育和地方法规应用的需要。启示:传统艺术的保护可以继续采取与时俱进的策略。需要进行与技术发展相适应的创造性探索。传统艺术必须能够灵活运用,才能不被时代所侵蚀。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE FORGOTTEN BARONG KEDINGKLING AND LEGONG TOMBOL AS GREEN FACADE INSPIRATION
Purpose: The purpose of this research and creation is to answer the issue of preserving Balinesetraditions such as barong kedingkling, legong tombol dance, taru pramana, the need for greenspaces during the pandemic, as well as the implementation of the Bali Provincial Regulation No. 5 of2005, in the form of a green facade module with a Balinese identity.Research methods: The method used is based on a design thinking approach which is dividedinto three stages, namely inspiration, ideation, and implementation.Findings: The green facade has a Balinese identity using the form of the barong kedingklingmodule and the legong tombol dance. The plants used are sourced from taru pramana. This strategyis expected to be able to answer the need for preservation, cultural education, and the application oflocal regulations in a new, more modern way.Implications: Preservation of traditional arts can continue with a strategy that is in line with thetimes. There needs to be a creative exploration in line with technological developments. Traditionalart must be able to be applied flexibly so as not to be eroded by the times.
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