不可能的维度。自20世纪下半叶以来,艺术和建筑之间的感知和思想的改变策略

Luis Navarro Jover
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引用次数: 0

摘要

纵观历史,特别是在20世纪,艺术家和建筑师已经展示了执行可渗透的,变化的,未定义的,开放的过程的能力,在这些过程中,艺术对象,建筑作品,通过新的语境转换,突变或获得新的意义。艺术家和观众,建筑师和观察者,已经建立了新的法则,允许我们从与感官,能量或虚拟相关的视觉中接近物体。这些体验在艺术和建筑之间移动和交流,以一种持续和互惠的方式,创造出更丰富和有趣的体验。这种“模棱两可”的建筑,在它所代表的东西和它的命名方式之间模棱两可,实现了连接部分,元素,参考,以新的意义和更丰富的意义建立一个新的对象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La ‘Dimensión Imposible’. Estrategias de alteración de la percepción y las ideas entre el arte y la arquitectura desde la segunda mitad del siglo XX
Throughout history, and especially during the 20th century, artists and architects have demonstrated the ability to perform permeable, changing, undefined, open processes where the art object, the architectural work, transforms, mutates or acquires new meanings through a new contextualization. Artist and spectator, architect and observer, have established new laws that allow us to approach the object from visions related to the sensory, the energy or the virtual. And these experiences have moved and exchanged between art and architecture, in a continuous and reciprocal way, creating more rich and interesting experiences. This 'equivocal' architecture, ambiguous between what it represents and how it is named, achieves to join the parts, elements, references, to build a new object with a new sense and more rich in its significance.
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