{"title":"第一部舞台作品(1580年代)","authors":"David G. Burton","doi":"10.1093/oxfordhb/9780198742913.013.16","DOIUrl":null,"url":null,"abstract":"In the 1580s, Cervantes turned to writing for the stage in pursuit of a career as a professional playwright, capitalizing on the popularity of the public theatres and the lucrative trade it produced. However, after a modicum of success his career was soon thwarted by the comedia nueva and the advent of Lope de Vega in the late-1580s would take that obsession to a national level. This chapter explores the first stage of Cervantes’s writing career prior to this new type of play establishing a monopoly on the tastes of the paying public.","PeriodicalId":377875,"journal":{"name":"The Oxford Handbook of Cervantes","volume":"108 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"First Writings for the Stage (1580s)\",\"authors\":\"David G. Burton\",\"doi\":\"10.1093/oxfordhb/9780198742913.013.16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the 1580s, Cervantes turned to writing for the stage in pursuit of a career as a professional playwright, capitalizing on the popularity of the public theatres and the lucrative trade it produced. However, after a modicum of success his career was soon thwarted by the comedia nueva and the advent of Lope de Vega in the late-1580s would take that obsession to a national level. This chapter explores the first stage of Cervantes’s writing career prior to this new type of play establishing a monopoly on the tastes of the paying public.\",\"PeriodicalId\":377875,\"journal\":{\"name\":\"The Oxford Handbook of Cervantes\",\"volume\":\"108 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Cervantes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxfordhb/9780198742913.013.16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Cervantes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780198742913.013.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In the 1580s, Cervantes turned to writing for the stage in pursuit of a career as a professional playwright, capitalizing on the popularity of the public theatres and the lucrative trade it produced. However, after a modicum of success his career was soon thwarted by the comedia nueva and the advent of Lope de Vega in the late-1580s would take that obsession to a national level. This chapter explores the first stage of Cervantes’s writing career prior to this new type of play establishing a monopoly on the tastes of the paying public.