Poul Houe
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引用次数: 0

摘要

全球化这个词反映了自19世纪末以来当地和全球之间的一种特殊紧张关系,当时丹麦作家Johan Skjoldborg将小农和农场工人从丹麦迁移到美国(其中一些人后来返回原籍国)的主题化。在1911年的一部戏剧和一本旅行书中,Skjoldborg展示了他们在丹麦的根源和现代美国的诱惑之间是多么的撕裂,以及他们在冲突的Scylla和Charybdis之间的精神池塘中航行是多么的不稳定。这部戏剧后来的版本,以及后来两部根据剧本改编的流行电影,都清楚地表明,两个世界的文化冲突远远超过了第二次世界大战。吸引和排斥仍然在拉锯战中,尽管对立力量之间的平衡,以及一些解决冲突的尝试,往往随着文化中的其他历史变化而改变。地域真实性是斯科尔德堡和他的同类丹麦作家最初设想现代世界时的一个相当坚实的出发点,在20世纪的过程中,这种真实性越来越受到重视;如今,当作家们试图庆祝这种真实性的最新化身时,仔细观察他们的作品,通常会发现所谓的“本地”实际上已经变得多么具有全球色彩。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
GLOBALOKALISERING – HINSIDES EUROPA
Globalocalization is a term that reflects a particular tension between the local and the global since the late 19 th century, when Danish author Johan Skjoldborg thematized the migration of smallholders and farmhands from Denmark to the United States (from where some would later return to their country of origin). In both a drama and a travel book from 191l Skjoldborg shows how torn between their Danish roots and the lures of modern America such subjects could be, and how precariously they might navigate the mental Pond between the Scylla and Charybdis of their conflicts. A later edition of the drama, and not least two later popular film adaptations of its text, make evident that the clash between the cultures of its two worlds persists well beyond the second world war. Attraction and repulsion remain in a tug of war, although the balance between the opposing forces, and some attempts at conflict resolution as well, tend to shift in tune with other historical changes within the culture. Regional authenticity, the fairly solid point of departure for Skjoldborg and his ilk of Danish writers when they first envisioned the modern world, becomes increasingly bracketed in the course of the 20 th century; and when writers nowadays attempt to celebrate recent incarnations of this authenticity, on closer inspection their output typically reveals how globally tinged the so-called local has actually become.
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