连接碎片:约翰·阿尔顿的海洋公园系列碎片

R. Hayden
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引用次数: 0

摘要

摘要:1962年,艺术家约翰·阿尔顿(John Altoon, 1925-1969)创作了一系列大型画作,以他的工作室所在地——加州威尼斯的海洋公园命名。那年晚些时候,洛杉矶传奇的Ferus画廊首次展出了这个系列。阿尔顿患有精神分裂症,在他的整个成年生活中,他都在与极端精神病作斗争。1964年,在疾病引发的精神病发作期间,阿尔顿走进弗勒斯画廊的储藏室,砍下了18幅海洋公园系列油画中的一些。画家死后,被砍断的画作碎片进入了商业艺术市场。事实上,它们是更大的组成部分,要么是未知的,要么是未公开的。与现存的七幅独立的海洋公园系列画作相比,这些碎片是艺术意图、机构管理和受损艺术品保护问题的研究案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Connecting the Pieces: John Altoon’s Ocean Park Series Fragments
Author(s): Hayden III, Robert | Abstract: In 1962, the artist John Altoon (1925-1969) produced a series of large-scale paintings named after his studio location—the Ocean Park neighborhood of Venice, California. The legendary Ferus Gallery in Los Angeles first exhibited the series later that year. Altoon had schizophrenia and, throughout his adult life, battled periods of extreme psychosis. In 1964, during a psychotic episode triggered by the disease, Altoon went into the Ferus gallery storeroom and slashed some of the eighteen Ocean Park Series canvases. After the artist’s death, fragments of the slashed paintings entered the commercial art market. The fact that they were pieces of larger compositions was either unknown or undisclosed. When considered with the seven extant autonomous Ocean Park Series paintings, the fragments are a case study for issues of artistic intent, institutional stewardship, and conservation of damaged artworks.
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