分析阿里·法里克(Ali Farighi,罗兰·巴西)为X班的学生马斯·阿玛利亚·亚加尔(MAS Amaliyah Sunggal)拍摄的“爱情黎明”的Dakwah信息

Marsha Audina, A. Hasibuan
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引用次数: 0

摘要

本研究旨在分析Ali Farighi导演的电影《Cinta Subuh》中的da'wah信息。达瓦主题在电影世界中随处可见,因此笔者运用罗兰·巴特的符号学分析方法对影片中描绘的达瓦信息进行了研究,重点从信仰、道德和伊斯兰教法三个方面进行了研究。本研究的发现,有助于我们对大华作品有更深入的了解,并为未来的作家提供有价值的参考。此外,我们期望它能激励“打华”的实践者利用电影作为传递有影响力信息的媒介的潜力,并为所有欣赏这部电影的观众提供积极的观影体验。本研究采用定性方法,运用罗兰·巴特的符号学分析。电影分析的数据收集包括录音、聆听、做笔记和对相关信息进行分类。这项研究的结果揭示了电影《Cinta Subuh》中包含aqidah、道德和伊斯兰教主题的da'wah信息的存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analisis Pesan Dakwah pada Film “Cinta Subuh” Karya Ali Farighi (Semiotika Roland Barthes) Bagi Siswa Kelas X MAS Amaliyah Sunggal
This study aims to analyze the da'wah messages in the film "Cinta Subuh" directed by Ali Farighi. Da'wah themes are commonly found in the world of films, prompting the author to conduct a research on the da'wah messages depicted in the film using Roland Barthes' semiotic analysis, specifically focusing on aqidah (faith), morals, and sharia (Islamic law) aspects. The findings of this research contribute to a deeper understanding of works related to da'wah and serve as a valuable reference for future writers. Moreover, it is expected to inspire da'wah practitioners to harness the potential of films as a medium for delivering impactful messages and to provide a positive viewing experience for all audiences who appreciate this film. This research employs a qualitative method approach, utilizing Roland Barthes' semiotic analysis. Data collection for the film analysis involves recording, listening, taking notes, and categorizing relevant information. The study's outcomes reveal the existence of da'wah messages encompassing aqidah, morals, and sharia themes within the film "Cinta Subuh."
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