西部的情节音乐

Mariana Whitmer
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引用次数: 1

摘要

西方电影有多种来源,包括书面和视觉来源,如经典和廉价小说,以及绘画和照片。最终,这些故事被改编成牛仔竞技表演、狂野西部表演和舞台表演,尤其是情节剧。大卫·勒斯特德(David Lusted)在他的西部电影史中指出:“无论是枪手还是逃犯,无论是牛仔还是治安官,西部英雄总是情节剧中的浪漫英雄。”西部片很大程度上要归功于情节剧,其中最重要的是通常伴随它的音乐。由于大量的动作场面和很少的对话,西部片特别依赖音乐来传达兴奋、紧张和所有其他的情感,这些情感是它们受欢迎所必需的。从影视剧配乐和默片配乐中可以看出,西方电影配乐借用了许多19世纪后期舞台剧的音乐陈词滥调。这次演讲将开始追溯伴随西方叙事从舞台到银幕的音乐历史,展示有多少听觉线索可以增强我们今天对这一类型的享受,这些线索都源于19世纪晚期的情节剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Melodramatic Music in the Western
The Western film developed from a variety of sources, including written and visual sources, such as the classic and dime novels, as well as paintings and photographs. Eventually these were dramatized with live action in the rodeo, Wild West shows, and on stage, particularly in melodramas. In his history of the Western film, David Lusted points out, “Whether gunfighter or outlaw criminal, cowboy or sheriff, the Western hero is invariably a romantic hero of melodrama.” The Western owes a great deal to melodrama, not the least of which is the music that usually accompanies it. Owing to the substantial amount of action and infrequent dialogue, Westerns particularly rely on music to convey excitement, tension, and all the other emotions so necessary to their popularity. As exhibited in the collections of photoplay music and silent film cue sheets, the Western film score appropriated many of the musical cliches that accompanied the staged works of the late nineteenth century. This presentation will begin to trace the history of the music that accompanied the Western narrative from the stage to the screen, demonstrating how many of the aural clues that enhance our enjoyment of this genre today have their roots in late nineteenth century melodrama.
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