肉体性:独立时期乌克兰文化中女性形象的因素

T. Melnik
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摘要

本文着重于乌克兰独立时期文化中的女性形象:在肉体、性和自我表现方面。女性身体被认为是女性身份结构中的一个重要因素。同时,也提请注意通过对妇女功能(社会、生殖、认知)的陈规定型对女性气质的解释。此外,“女性”的实际表现主要是通过生物而不是社会。本文关注流行的性别模式,如二元对立的语料库,其中自命不凡的统治领域的“分布”:女性的领域由可见性和物质决定,男性的领域由本质和精神决定。本文以表演、录像艺术、摄影、绘画、海报图形等视觉实践为例,描述了这种刻板印象转变的当前趋势,揭示了性别等级的本质和围绕这一问题的变化动态。研究乌克兰视觉文化中女性身体表现的方法涉及一种系统的方法,该方法不仅揭示了女性在艺术上有意义的面孔,不仅是文化和审美,而且还有政治,社会成分,根据当前的价值观以明显或潜在的形式引入。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Corporality asa Factor of Female Image in the Culture of Ukraine during the Independence Period
The article focuses on the image of women in the culture of Ukraine during the period of independence: on the aspects of corporeality, sexuality, and self-representation. Female body is considered as a significant factor in the structure of female identity. At the same time, attention was drawn to the interpretations of femininity through the stereotyping of women’s functions (social, reproductive, cognitive). In addition, actual representation of “feminine” mainly through biological rather than social was covered. The article focuses on popular gender patterns, such as the corpus of binary oppositions, among which the pretentious “distribution” of areas of domination: the sphere of the female is determined by visibility and material, and the male by the essential and spiritual. The current trends in the transformation of this stereotyping were described, the nature of gender hierarchy and the dynamics of changes around this issue were revealed, with the examples from the visual practices such as performance, video art, photography, painting, poster graphics. The method of studying the representations of the female body in Ukrainian visual culture involved a systematic approach that reveals in the artistically meaningful faces of the female, not only cultural and aesthetic, but also political, social components, introduced in obvious or latent form, according to the current values.
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