Winds

The research sheds light on dealing with the research sample, which is the first movement of the piano concerto by Mozart K. 466 in D minor No. 20, through the role of the piano in the performance of this concerto and the playing techniques, performance, technical and structural analysis, with clarification of the theoretical aspect of the life of Mozart and the classical era. The research is divided into two parts: Part I: The theoretical framework includes a brief overview of Mozart's life, the concerto, the stages of development of the concerto form and types of concerto, the classical concerto according to Mozart, some general characteristics of the music of the classical period, which can be heard in Mozart's piano works, and musical works of the classical era. The second part: the practical framework in which the researcher dealt with the analysis of the research sample, which is the first movement of the piano concerto by Mozart K. 466 in D minor No. 20, in terms of structural analysis, performance analysis and technical analysis for each part, then presented the most important results that the researcher reached, including the interest in adding more Among the contents and works that contain many musical techniques for graduate studies, the research concluded with recommendations, then references, and a summary of the research.