诗歌中的浪子

A. Jack
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引用次数: 0

摘要

虽然有很多浪子诗歌的例子,但毕夏普和史密斯的作品被比较,因为他们都努力从流亡的角度理解“家”。对毕晓普来说,家是没有意义的;对史密斯来说,它充满了意义,不容忽视。他们都不得不接受失去家的事实,同时接受家在他们成长过程中所扮演的角色,这是他们诗歌的一个特点,既含蓄又明确地引用了浪子的寓言。鲁滨逊·克鲁索作为一种浪子的角色,从鲁滨逊的返乡经历和他与更广泛的社区的关系两方面进行了探讨和对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Prodigal Son in Poetry
While there are many examples of Prodigal Son poems, the works of Bishop and Smith are compared as they both struggle to make sense of ‘home’ from a perspective of exile. For Bishop, home is shown to have little or no meaning; for Smith, it is full of meaning and cannot be ignored. Both have to come to terms with the loss of home, while accepting its role in their formation, and this is a feature of their poems which both implicitly and explicitly references the Prodigal Son parable. The role of Robinson Crusoe as a type of Prodigal Son is explored and contrasted by both in terms of Crusoe’s experiences of homecoming and his relationship to the wider community.
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