PreVisualization:如何在亚洲发展PreVisualization ?

S. Yamaguchi, Christopher Chen, Danyo Yoon, Danielle Gregoire
{"title":"PreVisualization:如何在亚洲发展PreVisualization ?","authors":"S. Yamaguchi, Christopher Chen, Danyo Yoon, Danielle Gregoire","doi":"10.1145/2818498.2818515","DOIUrl":null,"url":null,"abstract":"During the past decade, Film industry in Asia grew rapidly in many technical domains. The accomplishments helped filmmakers to expend their creativities and to improve the quality of their works. However, there is one major struggle that stops filmmakers going beyond their imaginations. It's the lack of PreVisualization [Pre Vis]. PreVis is known as an indispensable and critical process for film-making in Europe and the United States, but its significance has not been fully perceived throughout Asia yet. Asian people working for film industry have many traditional stories and particular ideas. With such stories and ideas, film-making in Asia will be possibly shaped even better by PreVis. Among many difficulties for making high-quality movies in each Asian country, the most serious problem seems time and money. Film-makers in Asia have no choice but to try to use their limited resources in an even more effective way than Hollywood, and PreVis can surely support doing this. Meanwhile, film-making is requiring both techniques of digital and analog today. Although filmmakers and students have to learn both of them, unfortunately digital and analog are separated from each other in education. PreVis can help them to learn both of them as it can bridge the differences between digital and analog. However, there are not enough institutions to teach PreVis in Asia. Accordingly, the education for PreVis is becoming highly important for next generation of film-making in Asia. The talents and the environments for PreVis have to be developed for making higher quality movies in Asia. Kenji, Christopher, Danyo and I, who stand on a platform, have established \"PREVIS SOCIETY ASIA\" for growth of PreVis in Asia this year. This panel is one of our efforts. The target for this panel is to discuss how to develop education of PreVis in Asia with experienced panelists and audience. It will discuss what the problems are, what is needed and what is different from Hollywood system to do this. We will make the first step for next generation film-making in Asia at SIGGRAPH ASIA 2015.","PeriodicalId":337326,"journal":{"name":"SIGGRAPH Asia 2015 Symposium on Education","volume":"89 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"PreVisualization: how to develop previs in Asia?\",\"authors\":\"S. Yamaguchi, Christopher Chen, Danyo Yoon, Danielle Gregoire\",\"doi\":\"10.1145/2818498.2818515\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the past decade, Film industry in Asia grew rapidly in many technical domains. The accomplishments helped filmmakers to expend their creativities and to improve the quality of their works. However, there is one major struggle that stops filmmakers going beyond their imaginations. It's the lack of PreVisualization [Pre Vis]. PreVis is known as an indispensable and critical process for film-making in Europe and the United States, but its significance has not been fully perceived throughout Asia yet. Asian people working for film industry have many traditional stories and particular ideas. With such stories and ideas, film-making in Asia will be possibly shaped even better by PreVis. Among many difficulties for making high-quality movies in each Asian country, the most serious problem seems time and money. Film-makers in Asia have no choice but to try to use their limited resources in an even more effective way than Hollywood, and PreVis can surely support doing this. Meanwhile, film-making is requiring both techniques of digital and analog today. Although filmmakers and students have to learn both of them, unfortunately digital and analog are separated from each other in education. PreVis can help them to learn both of them as it can bridge the differences between digital and analog. However, there are not enough institutions to teach PreVis in Asia. Accordingly, the education for PreVis is becoming highly important for next generation of film-making in Asia. The talents and the environments for PreVis have to be developed for making higher quality movies in Asia. Kenji, Christopher, Danyo and I, who stand on a platform, have established \\\"PREVIS SOCIETY ASIA\\\" for growth of PreVis in Asia this year. This panel is one of our efforts. The target for this panel is to discuss how to develop education of PreVis in Asia with experienced panelists and audience. It will discuss what the problems are, what is needed and what is different from Hollywood system to do this. We will make the first step for next generation film-making in Asia at SIGGRAPH ASIA 2015.\",\"PeriodicalId\":337326,\"journal\":{\"name\":\"SIGGRAPH Asia 2015 Symposium on Education\",\"volume\":\"89 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-11-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SIGGRAPH Asia 2015 Symposium on Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/2818498.2818515\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SIGGRAPH Asia 2015 Symposium on Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2818498.2818515","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

在过去的十年中,亚洲的电影工业在许多技术领域发展迅速。这些成就帮助电影人拓展了他们的创造力,提高了他们的作品质量。然而,有一个主要的困难阻碍了电影人超越他们的想象。这是缺乏预可视化。在欧洲和美国,预演被认为是电影制作不可或缺的关键过程,但它的重要性尚未在亚洲得到充分认识。在电影行业工作的亚洲人有很多传统的故事和独特的想法。有了这样的故事和想法,亚洲的电影制作可能会被preis塑造得更好。在每个亚洲国家制作高质量电影的诸多困难中,最严重的问题似乎是时间和资金。亚洲的电影制作人别无选择,只能尝试以比好莱坞更有效的方式利用他们有限的资源,而PreVis当然可以支持这样做。与此同时,今天的电影制作对数字和模拟技术都有要求。虽然电影制作人和学生都要学习这两种技术,但不幸的是,数字技术和模拟技术在教育中是分开的。PreVis可以帮助他们学习这两种方法,因为它可以弥合数字和模拟之间的差异。然而,亚洲没有足够的机构来教授PreVis。因此,对于亚洲的下一代电影制作来说,preis的教育变得非常重要。为了在亚洲制作高质量的电影,必须开发PreVis的人才和环境。Kenji, Christopher, Danyo和我站在一个平台上,为了今年PREVIS在亚洲的发展,成立了“PREVIS SOCIETY ASIA”。这个小组是我们的努力之一。本次小组讨论的目标是与经验丰富的小组成员和观众一起讨论如何在亚洲发展PreVis教育。它将讨论问题是什么,需要什么,以及与好莱坞系统有什么不同。我们将在SIGGRAPH Asia 2015上迈出亚洲新一代电影制作的第一步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PreVisualization: how to develop previs in Asia?
During the past decade, Film industry in Asia grew rapidly in many technical domains. The accomplishments helped filmmakers to expend their creativities and to improve the quality of their works. However, there is one major struggle that stops filmmakers going beyond their imaginations. It's the lack of PreVisualization [Pre Vis]. PreVis is known as an indispensable and critical process for film-making in Europe and the United States, but its significance has not been fully perceived throughout Asia yet. Asian people working for film industry have many traditional stories and particular ideas. With such stories and ideas, film-making in Asia will be possibly shaped even better by PreVis. Among many difficulties for making high-quality movies in each Asian country, the most serious problem seems time and money. Film-makers in Asia have no choice but to try to use their limited resources in an even more effective way than Hollywood, and PreVis can surely support doing this. Meanwhile, film-making is requiring both techniques of digital and analog today. Although filmmakers and students have to learn both of them, unfortunately digital and analog are separated from each other in education. PreVis can help them to learn both of them as it can bridge the differences between digital and analog. However, there are not enough institutions to teach PreVis in Asia. Accordingly, the education for PreVis is becoming highly important for next generation of film-making in Asia. The talents and the environments for PreVis have to be developed for making higher quality movies in Asia. Kenji, Christopher, Danyo and I, who stand on a platform, have established "PREVIS SOCIETY ASIA" for growth of PreVis in Asia this year. This panel is one of our efforts. The target for this panel is to discuss how to develop education of PreVis in Asia with experienced panelists and audience. It will discuss what the problems are, what is needed and what is different from Hollywood system to do this. We will make the first step for next generation film-making in Asia at SIGGRAPH ASIA 2015.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信