{"title":"“先生们,聚会结束了。”毛里齐奥的“最后”作品在连续性和引文之间","authors":"Giulia Zompa","doi":"10.30687/va/2385-2720/2022/08/006","DOIUrl":null,"url":null,"abstract":"This essay examines what Maurizio Cattelan achieved in the second part of his activity, starting from Maurizio Cattelan: All (the exhibition with which he had announced his retirement), up to the recent exhibitions Breath Ghosts Blind and YOU. Through a comparison with some artworks from his past, it will be highlighted the profound thematic and formal link that combine the last phase with the first one. In fact, the two moments are divided, not only by a temporal factor, but also by a different approach often interested to rethink what Cattelan has already done rather than to propose new solutions.","PeriodicalId":344265,"journal":{"name":"<i>Altersstil</i>. Late in the Arts","volume":"52 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«Signori, la festa è finita». Le ‘ultime’ opere di Maurizio Cattelan tra continuità e citazione\",\"authors\":\"Giulia Zompa\",\"doi\":\"10.30687/va/2385-2720/2022/08/006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines what Maurizio Cattelan achieved in the second part of his activity, starting from Maurizio Cattelan: All (the exhibition with which he had announced his retirement), up to the recent exhibitions Breath Ghosts Blind and YOU. Through a comparison with some artworks from his past, it will be highlighted the profound thematic and formal link that combine the last phase with the first one. In fact, the two moments are divided, not only by a temporal factor, but also by a different approach often interested to rethink what Cattelan has already done rather than to propose new solutions.\",\"PeriodicalId\":344265,\"journal\":{\"name\":\"<i>Altersstil</i>. Late in the Arts\",\"volume\":\"52 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"<i>Altersstil</i>. Late in the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/va/2385-2720/2022/08/006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"<i>Altersstil</i>. Late in the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/va/2385-2720/2022/08/006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
«Signori, la festa è finita». Le ‘ultime’ opere di Maurizio Cattelan tra continuità e citazione
This essay examines what Maurizio Cattelan achieved in the second part of his activity, starting from Maurizio Cattelan: All (the exhibition with which he had announced his retirement), up to the recent exhibitions Breath Ghosts Blind and YOU. Through a comparison with some artworks from his past, it will be highlighted the profound thematic and formal link that combine the last phase with the first one. In fact, the two moments are divided, not only by a temporal factor, but also by a different approach often interested to rethink what Cattelan has already done rather than to propose new solutions.