Merab Mamardashvili:用他的声音和行动的作家

E. Spirova
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摘要

本文分析了俄罗斯杰出哲学家波多罗加和斯米尔诺夫对马马达什维利哲学著作的解读方法。他们于2020年发表的两篇专题研究,通过M.K.马马达什维利(M.K. Mamardashvili)哲学思想的原始作者视角,提供了一个完美独特的视角。这些作者特别提到了马马达什维利思想的拓扑结构,以及他特有的隐喻性,以各自的方式将读者带入他哲学的语义空间。V.A. Podoroga揭示了Mamardashvili独特的哲学风格,建立在与书面文本相反的自由言论思想之上,其永恒的愿望是重复所说的内容,以获得思想运动的新动力,并始终回到起点。斯米尔诺夫以自传的方式追溯马马达什维利的写作行为,通过他作为理解器官工具的创作,恢复哲学家人格的导航。这些专著是对理解20世纪俄罗斯哲学传统的重要贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Merab Mamardashvili: the Author with His Voice and Act
The article analyses the approaches of outstanding Russian philosophers — V.A. Podoroga and S.A. Smirnov — to the philosophical works of Merab Konstantinovich Mamardashvili. Their two monographic studies, published in 2020, offer a perfectly unique view through the original authorial lenses of the philosophical ideas of M.K. Mamardashvili. Making special mention of the topological configuration of Mamardashvili’s thinking, his specific metaphoricalness, these authors, each in his own way, immerse the readers into the semantic space of his philosophy. V.A. Podoroga reveals the unique philosophical style of Mamardashvili built on free speech-thought in contrast to a written text, with its permanent desire to repeat what was said in order to receive a new impetus for the motion of thought, and with its invariable return to the starting point. S.A. Smirnov retraces Mamardashvili’s authorial act of utterance as an autobiographic one, restoring the navigation of the philosopher’s personality through his creation that appears as an organ-tool of understanding. The monographs are a significant contribution to comprehension of the Russian philosophical tradition of the 20th century.
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