K. Stępień
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摘要

本文聚焦于Martín Sancia于2014年出版的一本阿根廷儿童读物,名为Los poseídos de Luna Picante(来自辛辣月亮的附魔)。研究问题围绕着对儿童和青年文学的期望,分析文本似乎挑战。这项工作中使用的工具主要来自认知诗学。该研究探讨了文本触及儿童话语与成人话语在系统中的位置的方式。其中最吸引人的似乎是一个可怜的孩子的形象,元虚构技术,哥特和血腥效果。在其结论中,研究表明,在分析文本中使用的所有策略都旨在模糊儿童和成人话语之间的界限,从而为作者-读者/成人-儿童的互动提供一个不剥夺权力的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nastoletnia krucjata przeciwko dorosłym i kulturze popularnej w „Los poseídos de Luna Picante” Martína Sancii
The paper focuses on an Argentinian book for children by Martín Sancia titled Los poseídos de Luna Picante [The Possessed from Pungent Moon] from 2014. The research problem revolves around the expectations about childhood and youth literature that the analysed text appears to challenge. Tools employed in this work come primarily from cognitive poetics. The study explores the ways in which the text touches upon the place of children’s discourse in relation to the adults’ one within the system. Among these the most engaging seem to be an image of the child as an abject, metafictional techniques, the gothic, and the gore effect. In its conclusions, the study shows that all the strategies used in the analysed texts aim to blur the boundaries between child and adult discourses and, consequently, provide a space for a non-disempowering author–reader/adult–child interaction.
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