乔拉修道院的艺术和建筑与同时代的东欧和意大利的比较

Z. Ataş
{"title":"乔拉修道院的艺术和建筑与同时代的东欧和意大利的比较","authors":"Z. Ataş","doi":"10.2495/SC121011","DOIUrl":null,"url":null,"abstract":"This research aims to analyze both the architecture and art of today’s Chora Museum, named Chora Monastery and Chora Mosque chronologically, in comparison with its East European and Italian contemporaries, within the social, cultural and political environment of the Byzantine Empire and the context of Byzantine art developed until and through the 14th century when the spectacular and cinematographic mosaic scenes and frescos covering the vaults and dome of the building, illustrating the life cycles of both the Virgin Mary and Jesus Christ with an unconventional use of perspective, were built and painted. The monastery, named Chora meaning “country”, “land” or “in the country” in Greek, referring to its location, was built originally in the 12th century right outside the city walls of Constantinople. The architecture of the building is a combination of different parts built at different time periods in history; the 12th century, from which only the naos part remained; the 14th century, Palaeologans’ reign which is referred to as the brightest time of Byzantine art, and when the naos dome, the north annex, the narthexes, the parekklesion, and a belfry were built together with all the brilliant marble decoration, mosaics and frescoes; and finally the15th century Ottoman era, in which, being turned into a mosque, a mihrab and a minaret were added to the building, together with the plaster covering the mosaics and frescos, which has actually preserved them up to this day. Kariye Museum, as of today, offers different readings of all this juxtaposition at one and the same time and space. The strong storm of the imagery and the extraordinary way the life cycles of the Virgin Mary and Jesus Christ were represented, as the ways the cities, buildings, people and their acts were illustrated, comparing to the Byzantine, East European and Italian religious art of www.witpress.com, ISSN 1743-3541 (on-line) WIT Transactions on Ecology and The Environment, Vol 155, © 2012 WIT Press doi:10.2495/SC1210 2 The Sustainable City VII, Vol. 2 1211","PeriodicalId":151288,"journal":{"name":"The Sustainable City VII","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The art and architecture of Chora Monastery in comparison with its East European and Italian contemporaries\",\"authors\":\"Z. Ataş\",\"doi\":\"10.2495/SC121011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This research aims to analyze both the architecture and art of today’s Chora Museum, named Chora Monastery and Chora Mosque chronologically, in comparison with its East European and Italian contemporaries, within the social, cultural and political environment of the Byzantine Empire and the context of Byzantine art developed until and through the 14th century when the spectacular and cinematographic mosaic scenes and frescos covering the vaults and dome of the building, illustrating the life cycles of both the Virgin Mary and Jesus Christ with an unconventional use of perspective, were built and painted. The monastery, named Chora meaning “country”, “land” or “in the country” in Greek, referring to its location, was built originally in the 12th century right outside the city walls of Constantinople. The architecture of the building is a combination of different parts built at different time periods in history; the 12th century, from which only the naos part remained; the 14th century, Palaeologans’ reign which is referred to as the brightest time of Byzantine art, and when the naos dome, the north annex, the narthexes, the parekklesion, and a belfry were built together with all the brilliant marble decoration, mosaics and frescoes; and finally the15th century Ottoman era, in which, being turned into a mosque, a mihrab and a minaret were added to the building, together with the plaster covering the mosaics and frescos, which has actually preserved them up to this day. Kariye Museum, as of today, offers different readings of all this juxtaposition at one and the same time and space. The strong storm of the imagery and the extraordinary way the life cycles of the Virgin Mary and Jesus Christ were represented, as the ways the cities, buildings, people and their acts were illustrated, comparing to the Byzantine, East European and Italian religious art of www.witpress.com, ISSN 1743-3541 (on-line) WIT Transactions on Ecology and The Environment, Vol 155, © 2012 WIT Press doi:10.2495/SC1210 2 The Sustainable City VII, Vol. 2 1211\",\"PeriodicalId\":151288,\"journal\":{\"name\":\"The Sustainable City VII\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Sustainable City VII\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2495/SC121011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Sustainable City VII","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2495/SC121011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3

摘要

本研究旨在分析今天的乔拉博物馆的建筑和艺术,按时间顺序命名为乔拉修道院和乔拉清真寺,与东欧和意大利的同时代人进行比较,在拜占庭帝国的社会,文化和政治环境以及拜占庭艺术发展的背景下,直到14世纪,壮观的电影马赛克场景和壁画覆盖了建筑的拱顶和圆顶。以一种非传统的视角描绘了圣母玛利亚和耶稣基督的生命周期。这座修道院名为Chora,在希腊语中意为“国家”、“土地”或“在乡村”,指的是它的位置,最初建于12世纪,就在君士坦丁堡城墙外。建筑的结构是在历史上不同时期建造的不同部分的组合;12世纪,只剩下了最原始的部分;14世纪,古罗马人统治时期被认为是拜占庭艺术最辉煌的时期,教堂的圆顶,北附楼,中庭,教堂,钟楼都是用华丽的大理石装饰,马赛克和壁画建造的;最后是在15世纪的奥斯曼帝国时期,这座建筑被改造成了一座清真寺,在建筑上增加了一座米赫拉布和一座尖塔,连同覆盖在马赛克和壁画上的石膏,这些石膏实际上保存了它们直到今天。时至今日,卡里耶博物馆在同一时间和空间提供了对所有这些并置的不同解读。与拜占庭、东欧和意大利的宗教艺术(www.witpress.com, ISSN 1743-3541(在线))相比,这些图像的强烈风暴和圣母玛利亚和耶稣基督的生命周期的非凡方式被表现出来,与城市、建筑、人及其行为的方式进行了比较。WIT生态与环境学报,155卷,©2012 WIT出版社doi:10.2495/SC1210 2可持续城市VII, Vol. 2 1211
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The art and architecture of Chora Monastery in comparison with its East European and Italian contemporaries
This research aims to analyze both the architecture and art of today’s Chora Museum, named Chora Monastery and Chora Mosque chronologically, in comparison with its East European and Italian contemporaries, within the social, cultural and political environment of the Byzantine Empire and the context of Byzantine art developed until and through the 14th century when the spectacular and cinematographic mosaic scenes and frescos covering the vaults and dome of the building, illustrating the life cycles of both the Virgin Mary and Jesus Christ with an unconventional use of perspective, were built and painted. The monastery, named Chora meaning “country”, “land” or “in the country” in Greek, referring to its location, was built originally in the 12th century right outside the city walls of Constantinople. The architecture of the building is a combination of different parts built at different time periods in history; the 12th century, from which only the naos part remained; the 14th century, Palaeologans’ reign which is referred to as the brightest time of Byzantine art, and when the naos dome, the north annex, the narthexes, the parekklesion, and a belfry were built together with all the brilliant marble decoration, mosaics and frescoes; and finally the15th century Ottoman era, in which, being turned into a mosque, a mihrab and a minaret were added to the building, together with the plaster covering the mosaics and frescos, which has actually preserved them up to this day. Kariye Museum, as of today, offers different readings of all this juxtaposition at one and the same time and space. The strong storm of the imagery and the extraordinary way the life cycles of the Virgin Mary and Jesus Christ were represented, as the ways the cities, buildings, people and their acts were illustrated, comparing to the Byzantine, East European and Italian religious art of www.witpress.com, ISSN 1743-3541 (on-line) WIT Transactions on Ecology and The Environment, Vol 155, © 2012 WIT Press doi:10.2495/SC1210 2 The Sustainable City VII, Vol. 2 1211
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信