{"title":"导论:在取景器与镜头之间——平成摄影中自我呈现、性别、种族与阶级的表演之旅(1989-2019)","authors":"Ayelet Zohar","doi":"10.1353/roj.2019.0002","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":357136,"journal":{"name":"Review of Japanese Culture and Society","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Introduction: Between the Viewfinder and the Lens—A Journey into the Performativity of Self-Presentation, Gender, Race, and Class in Heisei Photography (1989–2019)\",\"authors\":\"Ayelet Zohar\",\"doi\":\"10.1353/roj.2019.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":357136,\"journal\":{\"name\":\"Review of Japanese Culture and Society\",\"volume\":\"54 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Review of Japanese Culture and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/roj.2019.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Review of Japanese Culture and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/roj.2019.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Introduction: Between the Viewfinder and the Lens—A Journey into the Performativity of Self-Presentation, Gender, Race, and Class in Heisei Photography (1989–2019)