伐木工人和希尔达,生态批判和生态女权主义的童子军连环画

D. Forni
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引用次数: 0

摘要

在处理人类与自然之间复杂关系的儿童文学形式中,漫画可以为男孩和女孩提供关于这个主题的各种见解。特别是,儿童故事最近重振了童军运动,通过与身份、性别和生态有关的新价值观来诠释它。本文将考虑两个关于童子军的漫画系列,希尔达(卢克·皮尔逊,2011-2019)和伐木工人(诺埃尔·史蒂文森,2014-2020)。这两部作品都讲述了参与童军活动的一群不同的人物的故事:这些故事在自然环境中发展,描绘了年轻而独特的人物的成长,他们通过与环境的不断接触,表现出对自然和同伴群体的强烈尊重,与环境和栖息在其中的不同形式的生命和平而冒险地共存。本文旨在通过生态批评和生态女性主义的视角,发展出一种新的艺术状态,突出了这种文学类型的新解释。本研究从比较的角度探讨了这两部作品,以展示漫画书叙事如何通过童子军的经历来呈现有趣的生态和平等主义动态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lumberjanes e Hilda, serie a fumetti scout tra ecocritica ed ecofemminismo
Among the forms of children’s literature that deal with the complex relationship between humanity and nature, comics can offer various insights on the topic for boys and girls. In particular, children’s stories have recently revitalized the scout movement, interpreting it through new values related to identity, gender and ecology. This paper will consider two comic book series on scouting, Hilda (Luke Pearson, 2011–2019) and Lumberjanes (Noelle Stevenson, 2014–2020). Both works tell the story of a diverse group of characters involved in scouting activities: the stories, developed in natural settings, portray the growth of young and peculiar characters who, through constant contact with the environment, show a strong respect for both nature and the peer group, in a peaceful and adventurous coexistence with the environment and the different forms of life that inhabit it. The essay aims to develop a first state of the art that highlights new interpretative strands in this literary genre through an ecocritical and ecofeminist lens. The study explores the two works in a comparative perspective, so as to show how comic book narratives can present interesting ecological and egalitarian dynamics, in this case through the experience of scouting.
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