{"title":"《空舞台的制作》作者:蒂姆·埃切尔斯和雨果·格兰丁尼","authors":"G. Giannachi","doi":"10.5900/SU_9781906897116_2011.17(1)_102","DOIUrl":null,"url":null,"abstract":"In this interview to acclaimed theatre photographer Hugo Glendinning, Gabriella Giannachi discusses with him the making of his latest work, Empty Stages (2003–11), a documentation about empty stages, touching on his collaboration with UK theatre company Forced Entertainment and Tim Etchells, who co-authored some of the images,as well as photographic methodologies and relections about emptiness, absence, presence and performance.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Making of Empty Stages by Tim Etchells and Hugo Glendinning\",\"authors\":\"G. Giannachi\",\"doi\":\"10.5900/SU_9781906897116_2011.17(1)_102\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this interview to acclaimed theatre photographer Hugo Glendinning, Gabriella Giannachi discusses with him the making of his latest work, Empty Stages (2003–11), a documentation about empty stages, touching on his collaboration with UK theatre company Forced Entertainment and Tim Etchells, who co-authored some of the images,as well as photographic methodologies and relections about emptiness, absence, presence and performance.\",\"PeriodicalId\":389750,\"journal\":{\"name\":\"Leonardo electronic almanac\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Leonardo electronic almanac\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_102\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leonardo electronic almanac","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_102","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Making of Empty Stages by Tim Etchells and Hugo Glendinning
In this interview to acclaimed theatre photographer Hugo Glendinning, Gabriella Giannachi discusses with him the making of his latest work, Empty Stages (2003–11), a documentation about empty stages, touching on his collaboration with UK theatre company Forced Entertainment and Tim Etchells, who co-authored some of the images,as well as photographic methodologies and relections about emptiness, absence, presence and performance.