禁闭叙事:西班牙冠状病毒爆发期间的电视广告

Jordi Grau Rebollo
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引用次数: 1

摘要

在第一波冠状病毒大流行期间,西班牙是受影响最严重的国家之一,到3月中旬,它实施了欧洲最严格的封锁之一。作为民族志学者,我们必须处理意想不到的事情(卡纳尔斯,2020),而广泛传播的视听作品中嵌入的文化叙事可以成为分析特殊时期社会话语和流行图像的关键来源。在这些产品中,电视广告可能非常有价值,因为它有意将日常生活的微故事浓缩成独立的、有意义的视听故事,浓缩在不到60秒的时间里。在这里,我通过分析来自17个不同品牌和机构的32个广告点的样本,研究了西班牙隔离和随后降级过程的文化叙事。在反复出现的比喻中,通过强调弹性和连续性作为更强大的团结概念的基石,形成了一种新的社区意识的一致故事情节,这种概念基于共享的相互性——借鉴了萨林斯的“存在的相互性”(2013)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Confinement narratives: TV advertising during the coronavirus outbreak in Spain
Spain had been one of the worst affected countries during the first wave of the coronavirus pandemic, and by mid-March it had enforced one of the strictest lockdowns in Europe. As ethnographers, we have to deal with the unexpected (Canals, 2020) and cultural narratives embedded in widely broadcast audiovisual productions can be a key source for analysing social discourses and prevalent images during exceptional periods. Of these productions, TV advertising can be extremely valuable, with its intentional micro-stories of everyday life that condense self-contained, meaningful audiovisual tales into less than 60 seconds.I examine here cultural narratives on the quarantine and subsequent de-escalation process in Spain by analysing a sample of 32 spots from 17 different brands and institutions in two different rounds of advertising. Among the recurrent tropes, a consistent storyline on a new sense of communitas is forged by emphasising resilience and continuity as cornerstones for a more robust concept of togetherness based on the idea of mutuality of sharing – drawing upon Sahlins’ “mutuality of being” (2013).
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