知情材料:以设计材料为方法的设计

M. Holzbach, Valentin Brück, Ziyu Zhou
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This approach, known as ‘Design with Designed Materials’,\n emphasises the triggering role of materials, especially for experimental\n design processes which link with various (artistic) research and creative\n methods. This paper will describe how the ‘design with designed materials’\n approach contributes to new material explorations and innovations, where\n material can be informed by various aspects: digital, material intrinsic, or\n a combination of both. By action research, the paper will elaborate on which\n way ‘design with designed materials’ acts as a methodical approach in design\n research and design education. This is a transdisciplinary approach that\n combines the areas of drafting, known from disciplines such as architecture\n and design, with those of analysis, research and development of materials,\n which are known from engineering and materials technology. 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引用次数: 0

摘要

材料链接了我们现在最关心的无数设计问题:智能技术、数字/模拟、用户体验、生态环境等。由于技术的发展,设计师们正在探索新的混合材料,这扩大了当代设计领域。新材料的产生是由于设计、艺术、工程、人机交互、生物技术等跨学科的对话,也得益于设计师以非常规的方式理解、探索和操纵材料的性质和属性。这些材料创新的新属性有可能颠覆设计中传统的材料选择,并为新的设计概念、功能和形式潜力提供灵感。这种方法被称为“设计材料”,强调材料的触发作用,特别是在与各种(艺术)研究和创造性方法相联系的实验设计过程中。本文将描述“设计材料”方法如何有助于新材料的探索和创新,其中材料可以从各个方面获得信息:数字,材料内在,或两者的结合。通过行动研究,本文将阐述“设计材料设计”在设计研究和设计教育中作为一种有系统的方法。这是一种跨学科的方法,结合了建筑和设计等学科的绘图领域,以及工程和材料技术中已知的材料分析、研究和开发领域。在实验和跨学科方法的基础上,开发和研究了新的基于材料和材料诱导的设计概念,将材料置于设计过程的开始。这种方法在一系列的教学和设计活动中得到了验证,从而产生了多样化的设计作品,为材料的使用、探索和转化以及设计理念的产生带来了新的逻辑。选择了四个实例项目作为代表,描述了材料设计的四个特征:性能、结构、界面和系统。本文将分享这些结果,带来的见解是,材料的新逻辑往往超越其原有的“固有”属性,从而引发概念生成的新方式。材料成为各种信息的载体,与环境进行对话,越来越多地承担起实际物体的作用,变得信息丰富、直观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Informed Materials: Design with Designed Materials as a Method
Materials link countless design issues we are concerned about the most nowadays: smart technology, digital/analog, user experiences, ecological environment, etc. Thanks to technological evolutions, designers are exploring new hybrid materials, which expands the contemporary design territories. The generation of new materials is due to the transdisciplinary dialogues among design, art, engineering, human-computer interaction, biotechnology, etc., but also thanks to designers' understanding, exploring, and manipulating the properties and attributes of materials in unconventional ways. The new attributes of these material innovations have the potential to subvert the conventional material selection in design, and provide inspiration for new design concepts, functions, and formal potentials. This approach, known as ‘Design with Designed Materials’, emphasises the triggering role of materials, especially for experimental design processes which link with various (artistic) research and creative methods. This paper will describe how the ‘design with designed materials’ approach contributes to new material explorations and innovations, where material can be informed by various aspects: digital, material intrinsic, or a combination of both. By action research, the paper will elaborate on which way ‘design with designed materials’ acts as a methodical approach in design research and design education. This is a transdisciplinary approach that combines the areas of drafting, known from disciplines such as architecture and design, with those of analysis, research and development of materials, which are known from engineering and materials technology. On the basis of an experimental and transdisciplinary approach, new material-based and material-induced design concepts are developed and researched, putting material at the beginning of the design process. This approach was validated in a series of teaching and designing activities, resulting in diverse design works that brought new logic to the use, exploration and transformation of materials, and the generation of design concepts. Four example projects are selected as representatives for describing four characteristics of materials design: properties, structures, interfaces and systems. This paper will share those results, bringing the insight that the new logic of materials is often beyond their original ‘inherent’ properties, which can trigger the new way of concept generations. Materials become carriers of a wide variety of information that enter into a dialogue with their environment, increasingly take on the role of the actual object and become informative and intuitive.
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