{"title":"《战争中的影像:导论","authors":"T. Phu","doi":"10.1215/21582025-10364996","DOIUrl":null,"url":null,"abstract":"\n This introduction contends that debates on militarized visual cultures need to consider the active role of images in shaping perspectives on war and in mediating memories of its aftermaths in and across Asia. Doing so entails taking account of quotidian experiences of war as well as reckoning with the limits of archives.","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"116 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Images at War: An Introduction\",\"authors\":\"T. Phu\",\"doi\":\"10.1215/21582025-10364996\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This introduction contends that debates on militarized visual cultures need to consider the active role of images in shaping perspectives on war and in mediating memories of its aftermaths in and across Asia. Doing so entails taking account of quotidian experiences of war as well as reckoning with the limits of archives.\",\"PeriodicalId\":368524,\"journal\":{\"name\":\"Trans Asia Photography\",\"volume\":\"116 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trans Asia Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/21582025-10364996\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trans Asia Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/21582025-10364996","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This introduction contends that debates on militarized visual cultures need to consider the active role of images in shaping perspectives on war and in mediating memories of its aftermaths in and across Asia. Doing so entails taking account of quotidian experiences of war as well as reckoning with the limits of archives.
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