新介绍艺术家皮埃尔·弗朗西斯科·卡瓦扎(1677-1733)

Figure Pub Date : 2019-11-04 DOI:10.6092/ISSN.2038-6184/9932

Tiziana Borea

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摘要

这篇文章代表了重新审视像皮埃尔·弗朗西斯科·卡瓦扎(1677- 1733)这样一个充满争议和兼容不取的人物的第一步，他作为一个真正的主角在他的历史和文化背景下生活和工作，然后很快被遗忘。他不仅是一位版画收藏家- -这是他最常被提及的活动- -他也是一位画家:特别是，本文考虑到他的圭多·雷尼的《瘟疫的苍白》副本和他的两件原始艺术品，这些艺术品至今仍存在。

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A new introduction to the artist Pier Francesco Cavazza (1677-1733)

The article represents a first step to cast new light on such a controversial and eclectic figure as Pier Francesco Cavazza (1677- 1733) who lived and worked in his historical and cultural context as a real protagonist and then was quickly forgotten. As well as a print collector – an activity for which he is most frequently mentioned – he was also a painter: in particular, this text takes into consideration his copy of Pallione della Peste by Guido Reni and his two original artworks which have come to our days.

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