文学中歧义的美学意义

Hanh Nguyen Hong
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引用次数: 0

摘要

“歧义”一词最早是由w.p empson在他的著作《七种歧义》(1930)中提出的。根据他的说法,歧义“是一种未定义的含义,一种表达多种事物的意图,允许多种解释”。歧义可以分为两种形式:模糊确定的一词多义和模糊不确定的一词多义。歧义是艺术思维的一个特征。它在艺术创作过程中占据主导地位并留下印记。模糊性是文学生活的重要品质:它打开了无尽的意义领域,使文学成为帮助人们打开主宰人类生活方方面面的大门的钥匙;它是构成文学美学的一个方面;歧义促进了读者的想象、共同创造;它是艺术家在创造文字突破和艺术创新意识方面的才能的衡量标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The aesthetic meaning of ambiguity in literature
“Ambiguity” was first proposed by W.Empson in his work Seven types of ambiguity (1930). According to him, ambiguity "is an undefined meaning, an intention to express many kinds of things that allow for many interpretations". Ambiguity can be classified into two forms: ambiguously definite polysemy and ambiguously indefinite polysemy. Ambiguity is a characteristic aspect of artistic thinking. it dominates and leaves its mark on the artistic creation process. Ambiguity is an important quality in literary life: it opens the endless field of meaning, making literature the key to helping people open the door to dominate all aspects of human life; It is the aspect that makes the aesthetics of literature; Ambiguity promotes the imagination, cocreation of the reader; it is a measure of the artist's talent in creating a breakthrough of words and a sense of artistic innovation.
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