一种基于混合聚类的原色与四色艺术绘画色彩修饰方法

Emmanouil Mavrikos, Nikolaos Melissaris, G. Tsekouras
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引用次数: 0

摘要

正常的人类色觉是三色的,它来源于人眼视网膜中三种感光锥细胞对光子吸收速率的比较。一种或两种视锥细胞的缺失或故障会导致色盲。本文提出了一种算法框架,可以针对原色盲和后色盲两种类型的色盲进行适当的修改(即重新上色)艺术绘画。算法框架采用四个不同的步骤依次应用。首先,将图像颜色聚类成预定数量的代表性颜色。第二步确定被正色或疏色所混淆的代表性颜色。第三,提出了一个优化问题,对前一步检测到的代表性颜色进行适当的重新上色。最后,给定重新着色的代表颜色,与这些颜色相关联的原始图像像素也会相应地进行修改。该方法在定量、定性和主观方面与其他三种重新着色算法进行了比较和评估。结果是有希望的,因为所提出的方法优于竞争算法,保持了绘画的整体美感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Hybrid Clustering-Based Approach to Color Modification of Art Paintings for Protanopes and Deuteranopes
The normal human color vision is trichromatic, and it originates from the comparison of the rates at which photons are absorbed by three types of photoreceptor cone-cells contained in the eye's retina. The absence or malfunctioning of one or two types of cone results in color-blindness. This paper proposes an algorithmic framework to appropriately modify (i.e., recolor) art paintings for two types of color-blindness called protanopia and deuteranopia. The algorithmic framework employs four distinct steps applied in sequence. First, the image colors are clustered into a prespecified number of representative colors. The second step determines the representative colors that are confused by the protanopes or the deuteranopes. Third, an optimization problem is proposed to appropriately recolor the representative colors detected in the previous step. Finally, given the recolored representative colors, the original image pixels associated with those colors are also modified accordingly. The method is tested and evaluated in terms of quantitative, qualitative, and subjective comparison with three other recoloring algorithms. The results are promising in the sense that the proposed method outperforms the competitive algorithms, maintaining the overall aesthetic of the paintings.
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