光谱都市生活

T. Collins, Andrew Douglas
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引用次数: 0

摘要

20世纪70年代,为了给Tāmaki Makaurau Auckland的中央高速公路交汇处让路,大约有1.5万所房屋被清理,这个研究项目提出了一个推测性的建筑方案,在Grafton Gully的中心,为一个再生树木的交通岛建造一座墙纸档案馆和人行天桥。壁纸档案馆——旨在容纳由当地遗产建筑师Salmond Reed architects设计的适度的历史壁纸收藏——和桥梁被交通基础设施所掩盖的更大的历史意义所覆盖。提出的建筑既有纪念功能,也有未来建筑功能,并源于对以铸造、建模、印刷和摄影为中心的实践主导过程的调查。在这样做的过程中,这个创造性的设计研究展示了一种讲故事的建筑改造形式,在这种形式中,过去的回忆不是通过材料修复,而是通过重新叙述——我称之为光谱城市主义的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spectral urbanism
Responding to the clearing in the 1970s of an estimated 15,000 houses to make way for the Central Motorway Junction in Tāmaki Makaurau Auckland, this research project presents a speculative architectural proposal for a wallpaper archive and a pedestrian bridge to a traffic island of regenerating trees at the centre of Grafton Gully. The wallpaper archive—intended to house a modest historic wallpaper collection by local heritage architects Salmond Reed Architects—and the bridge are cover for a larger recovery of historical significance eclipsed by the transport infrastructure. The architecture proposed intends both memorial and future-building functions and arises out of an investigation of practice-led processes centred on casting, modelling, printing, and photography. In doing so, this creative design research demonstrates a form of architectural renovation as storytelling, in which the past is recalled not through material restoration, but re-narrativisation—a process I have come to call spectral urbanism.
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