短暂的感情

Donnalyn Xu
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引用次数: 0

摘要

为了应对COVID-19封锁限制后沟通的转变,本研究调查了在数字空间中导航孤独和亲密的迷失体验。创意写作是一个相对未被探索但最近新兴的学术研究领域(Skains 2018, 84)。诗歌尤其涉及到对世界语言和结构的研究——它是一种批判性的思维方式,不仅包括单词的意义,还包括语音美学、位置、空间和文本结构。这种基于实践的创造性作品以九部分的自述民族志散文诗的形式呈现,呼应了数字通信的碎片化和异步性(Bonner 2016, 11)。通过可以按任何顺序阅读的意识流小片段,我模仿了滚动feed的体验。面对世界末日的结局,我探索无限的想法,我们对更多的渴望被太多所困扰。这篇实验性和经验性的论文最终是对情感关系和孤立之间的紧张关系的拷问,在这里,被调解的身体被渴望、孤独和注视所困扰。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transient Feelings
In response to the shifts of communication following the COVID-19 lockdown restrictions, this research investigates the disorienting experience of navigating loneliness and intimacy in the digital space. Creative writing is a relatively unexplored but recently emerging field of academic inquiry (Skains 2018, 84). Poetry in particular involves research into the language and textures of the world—it is a critical way of thinking that incorporates not just the signified meaning of words, but also the phonaesthetics, placement, space, and textual structure. This practice-based creative work is presented in the form of a 9-part autoethnographic prose poem that echoes the fragmented and asynchronous nature of digital communication (Bonner 2016, 11). Through stream-of-consciousness vignettes that could be read in any order, I emulate the experience of scrolling through a feed. I explore ideas of limitlessness in the face of apocalyptic endings, where our desire for more is troubled by having too much. This experimental and experiential paper is ultimately an interrogation of the tension between affective relations and isolation, where mediated bodies are troubled by longing, loneliness, and looking.
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