废墟,圆圈,建筑

E. Bou
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引用次数: 0

摘要

本文围绕建筑形式、文本、图像的三组“引用”进行组织,这些“引用”产生了三种想象、表现和空间阅读的选择:废墟、圆形建筑和修辞(特别是重复的数字)。我将讨论博尔赫斯的《循环的废墟》的故事,以及Iain Sinclair的《伦敦轨道》(2002)、Gianni Biondillo和Michele Monina的《Tangenziali》中的例子。(2010), Nicolò Bassetti, Sapo Matteucci, Sacro romano GRA(2013)。圆形产生了重复和不同的外观,允许观察世界上进步的破坏和建设特征的互补节奏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ruinas, círculos, construcciones
This article is organized around three groups of ‘citations’ from architectural forms, texts, images, which generate three options of imagination, representation and reading of space: ruins, circular constructions, and rhetoric (in particular figures of repetition). I discuss the story of Borges “Las ruinas circulares” and examples from Iain Sinclair, London orbital (2002), Gianni Biondillo and Michele Monina, Tangenziali. Due viandanti ai bordi della città (2010), and Nicolò Bassetti, Sapo Matteucci, Sacro romano GRA (2013). The circularity generates a repetitive and disparate look allowing the observation of a complementary rhythm of destruction and construction characteristic of progress in the world.
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