{"title":"盖伊·达文波特:性别的马赛克。借用通用和个人写作","authors":"L. Zachar","doi":"10.3406/ranam.1988.1190","DOIUrl":null,"url":null,"abstract":"Based on precise examples, this study examines Guy Davenport's skilful handling of conventional literary forms. Far from simply juxtaposing genres, he interweaves them, shapes them, assembles them so that in their interaction and final osmosis, they focus the reader's attention on those strategies that are most characteristic of Guy Davenport's work.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"46 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Guy Davenport : une mosaïque de genres. Emprunts à l'universel et écriture personnelle\",\"authors\":\"L. Zachar\",\"doi\":\"10.3406/ranam.1988.1190\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Based on precise examples, this study examines Guy Davenport's skilful handling of conventional literary forms. Far from simply juxtaposing genres, he interweaves them, shapes them, assembles them so that in their interaction and final osmosis, they focus the reader's attention on those strategies that are most characteristic of Guy Davenport's work.\",\"PeriodicalId\":440534,\"journal\":{\"name\":\"Recherches anglaises et nord-américaines\",\"volume\":\"46 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Recherches anglaises et nord-américaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3406/ranam.1988.1190\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Recherches anglaises et nord-américaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3406/ranam.1988.1190","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Guy Davenport : une mosaïque de genres. Emprunts à l'universel et écriture personnelle
Based on precise examples, this study examines Guy Davenport's skilful handling of conventional literary forms. Far from simply juxtaposing genres, he interweaves them, shapes them, assembles them so that in their interaction and final osmosis, they focus the reader's attention on those strategies that are most characteristic of Guy Davenport's work.
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