作为文化传播和适应的一个例子

Riabchun Iryna
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引用次数: 0

摘要

研究了乌克兰琵琶艺术的发展。考虑在乌克兰的分布。研究了建立一个全国性的卡里翁曲目的问题。分析了西欧乐器与乌克兰民族音乐之间的相互作用。展示了用卡隆织体反映乌克兰民歌特点的可能性。卡隆的质地与乌克兰民间传说中典型乐器的演奏方式有相似之处。结合乌克兰和西方音乐词汇的方法,由m.v. Lysenko制定,使用:乌克兰民间流派的列表,可以与欧洲音乐词汇中包含的欧洲流派进行比较。概述了乌克兰国家卡里隆曲目的结构,并给出了相应手册的计划。分析了乌克兰琵琶艺术的发展对世界音乐实践的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ukrainian carillon arrangements as an instance of the cultural transmission and adaptation
The development of carillon art in Ukraine is studied. The distribution of carillons in Ukraine is considered. The issue of creating a national carillon repertoire is investigated. The interactions between the Western European instrument and the Ukrainian national music are analysed. Possibilities in reflecting the peculiarities of Ukrainian folk song by means of carillon texture are shown. Analogies are made between the texture of the carillon and the ways of playing typical instruments of Ukrainian folklore. Methods of combining Ukrainian and Western musical vocabulary, laid down by M. V. Lysenko, are used: a list of Ukrainian folk genres that can be compared with European genres included in the European musical lexicon is given. The structure of the Ukrainian national repertoire for the carillon is outlined and a plan of the corresponding manual is given. The significance of the development of Ukrainian carillon art for the world musical practice is analysed.
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