西苏门答腊Pariangan地区Galombang舞蹈的结构重建

Proceedings of the 2nd Progress in Social Science, Humanities and Education Research Symposium (PSSHERS 2020) Pub Date : 2021-06-21 DOI:10.2991/assehr.k.210618.017

Afifah Asriati, Desfiarni, Irdhan Epria Darma Putra

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摘要

本文的目的是重建苏门答腊巴拉特塔那达尔的Pariangan的Tari Galombang (Galombang Dance)的形式和结构。由于几个独特的舞蹈元素工具不再使用，因此进行了重建。为了达到研究的目的，通过访谈和观察，包括笔记和录制的视频，进行了定性研究。根据所使用的方法，发现帕里安干的高隆邦舞的结构和形式是非常独特的。独特之处在于在表演舞蹈时使用Siriah Gadang作为卡拉诺，这在其他地区的任何其他Galombang舞蹈中都看不到。这一发现引起了研究人员对重建舞蹈的关注。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Structure of Galombang Dance in Pariangan West Sumatera: A Reconstruction

The aim of this article is to reconstruct the form and the structure of Tari Galombang (Galombang Dance) in Pariangan, Tanah Datar, Sumatera Barat. The reconstruction was undertaken due to several unique dancing elements tools which no longer be used. To reach the aim of the research, a qualitative study was done through interview and observation including notes and recorded video. Based on the method used, it was found that the structure and the form of Galombang Dance in Pariangan is quite unique. The uniqueness relates to the use of Siriah Gadang as Carano during performing the dance, which will not be seen in any other Galombang Dances found in other areas. This finding calls out researchers’ attention to reconstruct the dance.

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Proceedings of the 2nd Progress in Social Science, Humanities and Education Research Symposium (PSSHERS 2020)

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