巴西音乐市场的火爆:物理和数字时代的比较

Gabriel R. G. Barbosa, Bruna C. Melo, Gabriel P. Oliveira, Mariana O. Silva, Danilo B. Seufitelli, M. Moro
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引用次数: 7

摘要

通过流媒体消费音乐使得大量数据成为可能。我们收集了这些数据的一部分,并对巴西音乐市场上成功的艺术家进行了物理和数字媒体之间的跨时代比较分析。考虑到一个艺术家的职业生涯,我们关注的是连续出现的高冲击爆发时期。具体来说,我们构建了艺术家的成功时间序列,以检测和表征物理和数字时代的热门时期。然后,我们评估他们的特征,在类型尺度上分析他们,并进行聚类分析,以确定具有不同成功水平的艺术家群体。无论是在实体时代还是数字时代,我们都发现了相同的集群:Spike Hit Artists, Big Hit Artists和Top Hit Artists。通过识别每个时代的核心,我们的见解揭示了多年来音乐产业动态的重大变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hot Streaks in the Brazilian Music Market: A Comparison Between Physical and Digital Eras
Consuming music through streams has made huge volumes of data available. We collect a part of such data and perform cross-era comparative analyses between physical and digital media for successful artists within the music market in Brazil. Given an artist’s career, we focus on hot streak periods defined as high-impact bursts occurring in sequence. Specifically, we construct artists’ success time series to detect and characterize hot streak periods for both physical and digital eras. Then, we assess their features, analyze them in the genre scale, and perform a cluster analysis to identify groups of artists with distinct success levels. For both physical and digital eras, we find the same clusters: Spike Hit Artists, Big Hit Artists, and Top Hit Artists. Our insights shed light on significant changes in the dynamics of the music industry over the years, by identifying the core of each era.
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