{"title":"J. R. 3D","authors":"C. Rice","doi":"10.2307/j.ctv1kz4gcv.22","DOIUrl":null,"url":null,"abstract":"The chapter covers The French Line and the battles Howard Hughes had with the Production Code Administration and the Catholic Church over the musical number \"Looking for Trouble.\" Also discussed is the costume for the number, designed by Michael Woulfe, that prompted a major battle Jane and Howard Hughes. Also discussed is Underwater!, Jane’s last film for Howard Hughes which featured a literal underwater premiere in Florida.","PeriodicalId":112665,"journal":{"name":"Mean...Moody...Magnificent!","volume":"240 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"J. R. in 3D\",\"authors\":\"C. Rice\",\"doi\":\"10.2307/j.ctv1kz4gcv.22\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The chapter covers The French Line and the battles Howard Hughes had with the Production Code Administration and the Catholic Church over the musical number \\\"Looking for Trouble.\\\" Also discussed is the costume for the number, designed by Michael Woulfe, that prompted a major battle Jane and Howard Hughes. Also discussed is Underwater!, Jane’s last film for Howard Hughes which featured a literal underwater premiere in Florida.\",\"PeriodicalId\":112665,\"journal\":{\"name\":\"Mean...Moody...Magnificent!\",\"volume\":\"240 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mean...Moody...Magnificent!\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1kz4gcv.22\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mean...Moody...Magnificent!","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1kz4gcv.22","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这一章涵盖了法国防线,以及霍华德·休斯与生产代码管理局和天主教会就音乐剧《自找麻烦》(Looking for Trouble)的斗争。还讨论了由迈克尔·沃尔弗设计的服装,这引起了简和霍华德·休斯的重大斗争。还讨论了水下!这是简为霍华德·休斯拍摄的最后一部电影,在佛罗里达举行了水下首映式。
The chapter covers The French Line and the battles Howard Hughes had with the Production Code Administration and the Catholic Church over the musical number "Looking for Trouble." Also discussed is the costume for the number, designed by Michael Woulfe, that prompted a major battle Jane and Howard Hughes. Also discussed is Underwater!, Jane’s last film for Howard Hughes which featured a literal underwater premiere in Florida.