与vasyl blakytnyi对抗valerian polishchuk:叶芬·卡西亚年科社会和文学活动的片段

O. Omelchuk
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摘要

这篇论文涵盖了叶芬·卡西亚年科创作活动的未知页面。叶夫恩·卡西亚年科(1889-1937)是乌克兰飞机制造的先驱之一,也是一名翻译,也是20世纪10 - 30年代社会政治和文学运动的积极参与者。本研究重建了叶文·卡西亚年科、瓦西尔·埃兰-布拉基特尼和瓦勒里安·波利什丘克之间的文学和商业关系。作者分析了他们对乌克兰文学的组织形式和概念形式的看法。对作者发起的项目和辩论的分析解决了“红色文艺复兴”的文化和历史起源问题以及乌克兰无产阶级文学的具体形成。本文探讨了叶夫连·卡西亚年科在乌克兰人民共和国时期的新闻活动,他参与了乌克兰语苏维埃期刊的出现,无产阶级作家的第一个协会,乌克兰出版社,以及他在苏联作家和流亡艺术家之间的交流中所起的作用。这项研究首次分析了针对卡西亚年科的刑事案件,并概述了他在乌克兰文学环境中的广泛联系。卡西亚年科是俄罗斯共产党领导层将其活动用于乌克兰苏维埃化政策以及布尔什维克乌克兰化政策的人之一。他为党的政治实践和象征性形象的合法化做出了贡献。卡西亚年科的传记表明,在意识形态、学术和文化方面,苏联的文明计划并没有从根本上进行创新,主要存在于革命前的社会文化运动的轨道上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
WITH VASYL BLAKYTNYI AGAINST VALERIAN POLISHCHUK: FRAGMENTS OF THE SOCIAL AND LITERARY ACTIVITY OF YEVHEN KASIANENKO
The paper covers unknown pages of Yevhen Kasianenko’s creative activity. Yevhen Kasianenko (1889—1937) was one of the pioneers of Ukrainian aircraft construction, a translator, and an active participant in the socio-political and literary movement of the 1910s—1930s. The study reconstructs the literary and business relations between Yevhen Kasianenko, Vasyl Ellan-Blakytnyi, and Valerian Polishchuk. The author analyzes their views on organizational and conceptual forms of Ukrainian literature. The analysis of the projects and polemics initiated by the writers tackles the question of the cultural and historical origins of the ‘Red Renaissance’ and the specifi cal formation of the Ukrainian proletarian literature. This paper explores Yevhen Kasianenko’s involvement in the press of the Ukrainian People’s Republic period, his participation in the emergence of Ukrainian-language Soviet periodicals, the first associations of proletarian writers, and Ukrainian publishing houses, as well as his role in communication between Soviet writers and emigre artists. The study analyses for the first time the criminal case against Kasianenko and outlines his extensive connections within the Ukrainian literary environment. Kasianenko was one of those whose activity the Russian Communist Party leadership used for Sovietization policies in Ukraine as well as for the Ukrainization of the Bolshevik policy. He contributed to legitimizing the party’s political practices and symbolic images. Kasianenko’s biography shows that in ideological, scholarly, and cultural aspects, the Soviet civilization project was not radically innovative, largely existing in the orbit of the pre-revolutionary socio-cultural movement.
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