Aṅgulīyāṅkam Kūttu分期的不同惯例

Ammannur Kuttan Chakyar, Aparna Nangiar
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引用次数: 0

摘要

通过训练来表演Aṅgulīyāṅkam,演员成为了Kūṭiyāṭṭam的表演技巧专家,也就是说,Aṅgulīyāṅkam只包括两个角色:Hanumān和sj ā tā。Hanumān是唯一一个表演整部戏的角色,而s ā tā的文本将由演奏铙钹的Naṅṅyār来背诵。这出戏的主要技术特点之一是它在不同的背景下多次使用闪回技术,因此整个Rāmāyaṇa的故事将在舞台上上演。作者都是经验丰富的表演者,来自传统的Kūṭiyāṭṭam表演家庭。在他们的文章中,他们从演员的角度分析了该剧的结构,同时考虑了表演的仪式和美学问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Distinct Conventions in the Staging of Aṅgulīyāṅkam Kūttu
By getting trained to perform Aṅgulīyāṅkam, the actor becomes an expert in the acting techniques of Kūṭiyāṭṭam, that is, Aṅgulīyāṅkam includes only two characters: Hanumān and Sītā. Hanumān is the only character that performs the whole play and the text of Sītā will be recited by the Naṅṅyār who plays the cymbals. One of the major technical specialities of this play is that it includes the flashback-technique several times in different contexts and thus the whole story of the Rāmāyaṇa will be enacted on the stage. The authors are experienced performers themselves coming from a traditional Kūṭiyāṭṭam performing family. In their essay they analyse the structure of the play from the perspective of the actors, considering both the ritualistic and the aesthetical issues of the performance.
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