公共领域的生态教学设计

C. Cucuzzella
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引用次数: 3

摘要

本文的目的是评估过去二十年来在城市环境中出现的独特形式的环境驱动艺术和设计实践。这种艺术和设计形式暂时被命名为“生态艺术装置”,它与以前的环境作品不同,它跨越了艺术、环境设计和建筑等学科,在不同的城市景观中动员了不同的公众,并与市政当局进行了认可的合作。本文提出,城市生态艺术装置并非简单地展示其与紧迫的生态问题的一致性;相反,它是由解释的迫切需要驱动的,因此构成了一种全新的解释性话语形式,将“生态信息”直接置于公共领域。从这个角度来看,这些公共领域的生态艺术装置可以帮助构建个人、社会和文化意义的地方,作为可持续变化的城市代理人。本文介绍了一系列的案例,旨在说明公共空间作为城市可持续变化的枢纽在世界范围内日益增加的现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ECO-DIDACTIC DESIGN IN THE PUBLIC REALM
The aim of this paper is to assess a distinctive form of environmentally driven art and design practice that has emerged in urban contexts over the last two decades. This art and design form, which is provisionally named the “eco-art installation”, distinguishes itself from previous environmental work in its crossing of disciplines – specifically, art, environmental design, and architecture – in its mobilization of different publics within various urban landscapes, and in its sanctioned collaboration with municipal authorities. This paper proposes that the urban eco-art installation does not simply demonstrate its alignment with pressing ecological issues; rather, it is driven by the urgent need to explain, and thus constitutes an entirely new form of explanatory discourse that places an “eco-message” squarely in the public realm. In this perspective, these eco-art installations in the public realm can help construct personal, social and cultural meanings of place, as urban agents of sustainable change. This paper presents a series of cases meant to illustrate the increasing world-wide phenomenon of public spaces as hinges for sustainable change in cities.
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