{"title":"南斯拉夫犹太音乐家(1954-1991)通过社会主义南斯拉夫文化外交的棱镜在东欧国家的活动","authors":"Ivana Vesic, M. Golubović, V. Spasić","doi":"10.5937/newso2055070v","DOIUrl":null,"url":null,"abstract":"In this paper we focused on the collaboration of the Jeunesses Musicales of Yugoslavia (JMY) with similar organisations of the Eastern Bloc countries. Besides pointing to the various activities that the JMY carried out from the early 1960s to the late 1980s, certain general tendencies in the process of cultural exchange were also underlined. The aim is to consider whether the JMY's cooperation with Eastern Bloc organisations followed Yugoslav foreign policies in the cultural sphere at the time.","PeriodicalId":315139,"journal":{"name":"New Sound","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jeunesses musicales of Yugoslavia (1954-1991) acitivities in the countries of Eastern Bloc through the prism of socialist Yugoslavia cultural diplomacy\",\"authors\":\"Ivana Vesic, M. Golubović, V. Spasić\",\"doi\":\"10.5937/newso2055070v\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper we focused on the collaboration of the Jeunesses Musicales of Yugoslavia (JMY) with similar organisations of the Eastern Bloc countries. Besides pointing to the various activities that the JMY carried out from the early 1960s to the late 1980s, certain general tendencies in the process of cultural exchange were also underlined. The aim is to consider whether the JMY's cooperation with Eastern Bloc organisations followed Yugoslav foreign policies in the cultural sphere at the time.\",\"PeriodicalId\":315139,\"journal\":{\"name\":\"New Sound\",\"volume\":\"33 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Sound\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5937/newso2055070v\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5937/newso2055070v","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Jeunesses musicales of Yugoslavia (1954-1991) acitivities in the countries of Eastern Bloc through the prism of socialist Yugoslavia cultural diplomacy
In this paper we focused on the collaboration of the Jeunesses Musicales of Yugoslavia (JMY) with similar organisations of the Eastern Bloc countries. Besides pointing to the various activities that the JMY carried out from the early 1960s to the late 1980s, certain general tendencies in the process of cultural exchange were also underlined. The aim is to consider whether the JMY's cooperation with Eastern Bloc organisations followed Yugoslav foreign policies in the cultural sphere at the time.