审美主体间性维度下的高校音乐教育教学研究

Feiyu Wang, W. Cao, Rong Liao, Baoqing Song, Ensi Zhang, Binghua Su
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引用次数: 0

摘要

本文拟以“主体间性”这一源于美学主体间性音乐教育观的哲学概念为切入点,对高校音乐教育教学中如何构建和谐的师生关系体系进行一些探讨。本文通过借鉴美学主体间性的原理和相关特点,从理论和实践两个方面对高校音乐教育教学进行了详细而深入的分析和研究,主要论述了主体间性哲学名词概念和主体间性与音乐教育在高校音乐教育教学中的应用,研究主体间性音乐教育的必要性和教学策略。探讨在什么样的课堂教学背景下,采用什么样的教学策略才能使不同的课堂教育教学因素形成一个均衡有效的体系,使音乐教育教学各个环节之间达到和谐自然的状态,以期高校音乐教育教学课堂教学和高校整个课堂教育能够朝着更加生动有序、健康和谐的方向发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on Music Education and Teaching in Colleges and Universities under the Dimension of Aesthetic Intersubjectivity
This article intends to take "intersubjectivity", which is derived from the philosophical concept of aesthetic intersubjectivity music education concept, as a breakthrough point, to make some discussions on how to build a harmonious system between teachers and students in music education teaching in colleges and universities. By drawing from aesthetic intersubjectivity about principle and related characteristics, from two aspects of theory and practice of college music education teaching to carry on the detailed and in-depth analysis and research, this paper discusses mainly the inter-subjective philosophy noun concept and intersubjectivity and music education in colleges and universities music education teaching, the necessity of research on the inter-subjective music education and the teaching strategy. To explore in the context of what kind of classroom teaching, the teaching strategy can make different classroom education teaching factors to form a balanced and effective system, to make music education teaching each link between each other to achieve a harmonious state of nature, in the hope of colleges and universities music education teaching classroom education of universities and colleges and the whole class can towards more vivid and orderly, healthy and harmonious development.
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