{"title":"#MeToo, #BalanceTonPorc, 2010年代的女权主义强奸复仇电影和Coralie Fargeat的复仇","authors":"K. Ince","doi":"10.22618/tp.pjcv.20226.1.127.008","DOIUrl":null,"url":null,"abstract":"This article brings together essays on revenge by philosophers Simone de Beauvoir and Emmanuel Levinas with the rape-revenge film genre through a detailed reading of French director Coralie Fargeat’s first feature film Revenge (2017). It also links the film’s presentation of rape and violence to the #MeToo movement and how it played out in France under the #BalanceTonPorc hashtag and suggests that the leading protagonist of Revenge Jen (Mathilda Lutz) may be considered as an example of the twenty-first century version of horror’s “Final Girl” first theorized by Carol Clover in the 1980s.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"105 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"#MeToo, #BalanceTonPorc, the Feminist Rape-Revenge Film in the 2010s and Coralie Fargeat’s Revenge\",\"authors\":\"K. Ince\",\"doi\":\"10.22618/tp.pjcv.20226.1.127.008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article brings together essays on revenge by philosophers Simone de Beauvoir and Emmanuel Levinas with the rape-revenge film genre through a detailed reading of French director Coralie Fargeat’s first feature film Revenge (2017). It also links the film’s presentation of rape and violence to the #MeToo movement and how it played out in France under the #BalanceTonPorc hashtag and suggests that the leading protagonist of Revenge Jen (Mathilda Lutz) may be considered as an example of the twenty-first century version of horror’s “Final Girl” first theorized by Carol Clover in the 1980s.\",\"PeriodicalId\":220201,\"journal\":{\"name\":\"The Philosophical Journal of Conflict and Violence\",\"volume\":\"105 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Philosophical Journal of Conflict and Violence\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22618/tp.pjcv.20226.1.127.008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Philosophical Journal of Conflict and Violence","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22618/tp.pjcv.20226.1.127.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
#MeToo, #BalanceTonPorc, the Feminist Rape-Revenge Film in the 2010s and Coralie Fargeat’s Revenge
This article brings together essays on revenge by philosophers Simone de Beauvoir and Emmanuel Levinas with the rape-revenge film genre through a detailed reading of French director Coralie Fargeat’s first feature film Revenge (2017). It also links the film’s presentation of rape and violence to the #MeToo movement and how it played out in France under the #BalanceTonPorc hashtag and suggests that the leading protagonist of Revenge Jen (Mathilda Lutz) may be considered as an example of the twenty-first century version of horror’s “Final Girl” first theorized by Carol Clover in the 1980s.