#MeToo, #BalanceTonPorc, 2010年代的女权主义强奸复仇电影和Coralie Fargeat的复仇

K. Ince
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引用次数: 0

摘要

本文通过对法国导演科拉莉·法热的第一部故事片《复仇》(2017)的详细阅读,将哲学家西蒙娜·德·波伏娃和伊曼纽尔·列维纳斯关于复仇的文章与强奸复仇电影类型结合在一起。它还将电影对强奸和暴力的呈现与#MeToo运动以及它在#BalanceTonPorc标签下在法国的发展联系起来,并暗示女主角复仇珍(玛蒂尔达·卢茨饰)可能被视为二十一世纪恐怖电影“最后的女孩”的一个例子,该电影最早是在20世纪80年代由卡罗尔·克洛弗提出的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
#MeToo, #BalanceTonPorc, the Feminist Rape-Revenge Film in the 2010s and Coralie Fargeat’s Revenge
This article brings together essays on revenge by philosophers Simone de Beauvoir and Emmanuel Levinas with the rape-revenge film genre through a detailed reading of French director Coralie Fargeat’s first feature film Revenge (2017). It also links the film’s presentation of rape and violence to the #MeToo movement and how it played out in France under the #BalanceTonPorc hashtag and suggests that the leading protagonist of Revenge Jen (Mathilda Lutz) may be considered as an example of the twenty-first century version of horror’s “Final Girl” first theorized by Carol Clover in the 1980s.
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