身份戏剧:反和后殖民话语(根据莱斯利·马蒙·西尔科的短篇小说《摇篮曲》和弗拉基米尔·达尼连科的《图鲁维特上的雷暴》)

O. Buriak, O. Holnyk, M. Lavrusenko, Oleksandra Tsepa, Oksana Vechirko
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引用次数: 0

摘要

. 这篇文章强调了印度裔美国作家莱斯利·马蒙·西尔科(Leslie Marmon Silko)的《摇篮曲》(Lullaby)和乌克兰小说家弗拉基米尔·丹连科(Volodymyr Danylenko)的《Turovets上的雷暴》(Thunderstorms over Turovets)这两个故事的反殖民和后殖民话语的艺术特点。通过“全球化世界-大同世界”冲突的棱镜,考察了民族自我意识戏剧体现的特殊性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Identity drama: anti-and postcolonial discourse (based on Leslie Marmon Silko's short stories "Lullaby" and Volodymyr Danylenko's "Thunderstorms over Turovets")
. The article highlights the artistic specifics of the anti-and postcolonial discourse of the stories "Lullaby" by the American writer of Indian origin Leslie Marmon Silko and "Thunderstorms over Turovets" by the Ukrainian novelist Volodymyr Danylenko. Through the prism of the conflict "globalized world - ecumenical world" the peculiarities of the embodiment of the drama of national self-awareness are considered.
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