Dimitrije Trifković
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引用次数: 0

摘要

对波斯神密特拉的崇拜,无敌的太阳神,是罗马帝国最重要和最现代的崇拜。铭文和考古证据的崇拜密特拉被记录在这个庞大的帝国在三大洲的所有省份。甚至在现代南塞尔维亚的领土上,即罗马行省上摩西亚和色雷斯的部分地区,也以这种方式发现了邪教纪念碑。本文描述了六个这样的纪念碑:两座刻有皮罗特和拉夫纳附近的奥斯马科沃铭文的祭坛,以及四个浮雕像,分别来自皮罗特附近的拉戈代什和拉斯尼察,阿列克谢纳茨附近的Ražanj和尼什附近的Mramor。本文的目的是强调密特拉教在塞尔维亚南部发展的某些历史环境,并考虑到对这些纪念碑的分析。由于许多原因,这个地区被视为有利于这种东方宗教的传播。它是一个矿藏丰富的地区,是巴尔干半岛许多重要罗马道路的交汇处,也是一些军事单位的主要营地。所有这些情况导致了密特拉崇拜的显著存在。密特拉教的成长时期从2世纪中期延伸到3世纪中期,这是由铭文誓言清楚地证实。浮雕石的图像分析表明,它们属于多瑙河类型,密特拉教从波杜纳夫列河下游通过河上的罗马石灰到达塞尔维亚南部。下方的楣板上有密特拉崇拜传说的侧面场景,指向达契亚的宗教中心,作为制作图标的模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MITRAIZAM NA PROSTORU JUŽNE SRBIJE – ISTORIJSKE OKOLNOSTI
The cult of Persian god Mithra, the Invincible Sun god, was the most significant and present cult in the Roman Empire. Epigraph and archeological evidence of worship of Mithra was recorded in all provinces of this huge Empire on three continents. Cult monuments were discovered in that way even on the territory of modern south Serbia, i.e. parts of the Roman provinces Upper Moesia and Thrace. This paper describes six such monuments: two votive altars with inscriptions from Osmakovo near Pirot and Ravna and four relief icons capturing tauroctonia from Ragodeš and Rasnica near Pirot, Ražanj near Aleksinac and Mramor near Niš. The aim of the paper is to emphasise certain historical circumstances of the growth of Mithraism in south Serbia taking the analyses of these monumetns into consideration. This region is seen as favorable for the spread of this eastern religion for numerous reasons. It is a rich mine region, the intersection of many imporant Roman roads on the Balkans and the main camp of some military units. All these circumstances resulted in the significant presence of the cult of Mithra. The period of the growth of Mithraism stretches from the middle of the 2nd century to the middle of the 3rd century, which is clearly confirmed by epighraph vows. The iconographic analysis of relief stones reveals that they belong to the Danube type and that Mithraism reaches south Serbia from lower Podunavlje through the Roman limes on the river. The lower frieze with side scenes from the Mithra cult legend points to the religious centres in Dacia as models in making the icons.
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