迪曼·别列科夫早期歌词的结构和语义

M. Dedina
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引用次数: 0

摘要

本文分析了别列科夫早期歌词的语义特征,确定了作者艺术世界中所表现出的具象性和空间性优势。在时间的命名上,语意结构通过一系列与春天相关的意象来实现,报春花、盛开的苹果树、融水的潺潺流水、解冻的田野等,创造了一幅觉醒的大自然的整体画面,隐喻地体现了年轻一代的形象。在地名和地理上,占主导地位的形象是本土形象,它包括整个复杂的象征-标志,具有阿尔泰山脉领土的命名特征。如果诗人的抒情英雄的家园成为力量和灵感的源泉,那么他的发展就需要一种运动,被理解为“他者”空间的发展,在蓝色距离的广义形象和明亮灯光的拥挤城市中实现。诗人抒情诗的中心主题是路的主题,体现在出发和返回的动机上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The structure and semantics of the early lyrics of Diman Belekov
The article analyzes the semantic features of D. Belekov's early lyrics, identifies the figurative and spatial dominants represented in the author's artistic world. In the temporal designation, the semantic structure is actualized in a series of images associated with spring, and primroses, a blooming apple tree, murmuring streams of meltwater, fields with thawed patches, etc., creating a holistic picture of the awakening nature, metaphorically embody the image of the younger generation. Toponymically and geographically, the dominant image is the image of the native land, which includes the entire complex of symbols-markers characteristic of the designation of the territory of Gorniy Altai (Altai Mountains). If the homeland for the lyrical hero of the poet becomes a source of strength and inspiration, then for his development he needs a movement understood as the development of the "other" space, actualized in the generalized image of blue distances and a crowded city with bright lights. The central theme in the poet's lyrics is the theme of the road, embodied in the motives of departure and return.
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