12. 与动态图像共存

Miriam De Rosa
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引用次数: 0

摘要

一些电影人或艺术家决定把艺术放在他们创作的核心,不仅将电影和艺术之间的关系应用到他们的概念中,而且还应用到创作过程的各个方面。Miriam De Rosa从当代艺术空间的角度审视了电影的不同入侵,从而解决了这种“艺术当代转向”:“当运动图像进入艺术空间时,当代经验是如何表达的。”在最近的展览中,我们可以看到电影在这个陌生空间中的存在,将其转变为一个不同的、个性化的地方:梦游者(2007);玛尔塔Minujín的《重新装载的梅桑达》(2019)在纽约新博物馆展出;以及米兰工作室Azzurro设计的敏感环境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
12. Dwelling with Moving Images
Some filmmakers or artists decide to put art at the heart of their creation, applying not only the relationship between cinema and art to their concept but also to various aspects of the process of creation. Miriam De Rosa addresses this kind of “art contemporary turn” by examining the different incursions of cinema from the point of view of the contemporary art space: “how the contemporary experience of moving images is articulated when it enters art spaces.” The presence of film in this foreign space, transform-ing it into a different and personalized place, can be observed in recent exhibitions: Sleepwalkers (2007); Marta Minujín’s Mesunda Reloaded (2019) at the New Museum in New York; and Sensitive Environments by the Milan-based collective Studio Azzurro.
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