{"title":"拍摄空间:作为再现的转译。苏珊·肯普的《北大西洋漂流:罗伯特·艾伦·贾米森的肖像》和罗珊娜·瓦特的《Quoys》","authors":"Camille Manfredi","doi":"10.1007/978-3-030-18760-6_8","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":197924,"journal":{"name":"Nature and Space in Contemporary Scottish Writing and Art","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Filming Space: Transenunciation as Re-production. Susan Kemp’s Nort Atlantik Drift: A Portrait of Robert Alan Jamieson and Roseanne Watt’s Quoys\",\"authors\":\"Camille Manfredi\",\"doi\":\"10.1007/978-3-030-18760-6_8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":197924,\"journal\":{\"name\":\"Nature and Space in Contemporary Scottish Writing and Art\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nature and Space in Contemporary Scottish Writing and Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1007/978-3-030-18760-6_8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nature and Space in Contemporary Scottish Writing and Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-18760-6_8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}